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Talk Radio (1988)
Released By: MCA Universal Home Video   Rating: R   In Theaters: N/A
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Studio: MCA Universal Home Video
Genre: Drama
MPAA Rating: R
Director: Oliver Stone
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Alec Baldwin, Ellen Greene, Eric Bogosian, John C. McGinley, John Pankow, Leslie Hope
Published ID: 815
UPC: 025192090820, 085393729721,
Plot: Monologist Eric Bogosian's one-man theatre piece Talk Radio, co-written by Bogosian and Ted Savinar, is searingly brought to the screen by Oliver Stone. Bogosian plays a provocateur radio talk-show host, whose constant espousal of his inflammatory views and ceaseless hectoring of his callers and listeners reaps equal parts love and hate. As his program rolls on, Bogosian is revealed to be just as screwed up as any of his fans, if not more. And then he pushes one caller just a bit too far. In co-adapting the play for the screen, Oliver Stone interweaves elements of Steven Singular's factual book {-Talked to Death}, the story of a liberal Denver radio personality who was murdered at the behest of a militant right-wing hate group. One word of warning: if you're not a fan of the sort of radio depicted herein, chances are you won't warm up to this film. Talk Radio was the indirect inspiration for the 1990 TV series Night Caller. ~ Hal Erickson, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Another great album of Copeland's music
Added 5/30/2009

Sting and Andy Summers, after The Police breakout were releasing album after album to great acclaim, Stewart decided to do film scores. While it was what he always wanted, the result is not so good for the listener. Film soundtracks rarely receive the same level of attention that regular records do. That (and untraditional approach to music) stop Stewart's film scores from being well-known. Also, limited number of CD's were released, so, if you (by some chance) like Copeland's music, you'll have hard time finding it.
Talk Radio/Wall Street OST is a real gem. All of the compositions were written and performed by the ex-Policeman. The number of tracks is 11, and they are quite lengthy - also good. And the price is MUCH LESS than 50 something dollars :P
So, if you are a fan of Stewart's eccentric musical style (like I am), buy this CD right now!!!

0 out of 1 people found this helpful.
class project
Added 4/20/2009

This movie was a class project. This is not a movie I would suggest buying for entertainment.
0 out of 1 people found this helpful.
Underrated Film
Added 4/9/2009

This film was largely overlooked and while it's not Stone's best film (that would be Platoon), it certainly is thought provoking and is the quintessential thinking man's film. If you are looking for guns, action, and car chases you should probably look elsewhere. If, however, you are looking for a film that challenges the way you view the world and see our society, definitely check the movie out. Even though it was made over 20 years ago, the film's message still resonates as talk radio today is arguably as relevant as ever.

Highly recommended!

0 out of 0 people found this helpful.
It tries very hard, but it fails to really connect...
Added 9/30/2008

Oliver Stone is a director who has yet to really wow me. I know that he is loved by many, but the films I've seen of his have been less than satisfying for me. Granted, I have not seen `Nixon' or `JFK' yet, and I do plan on seeing them soon, but I really was hoping that `Talk Radio' was going to change my mind on the controversial director.

It hasn't.

The idea and overall concept behind `Talk Radio' is actually quite intelligent. Taking accounts from the true life murder of radio DJ Alan Berg, the film has an underlying ring of truth to every word, which helps in areas where the film is lacking. As the final frames ignite the screen one is left pondering some very weighty matters, such as the world's fascination with the obscene. This is a prominent subject throughout the film, one that Barry Champlain (the fictitious DJ representing Berg) brings up quite a bit, especially as his mental state spirals towards the films end.

The film follows Champlain, a former suit tailor who caught a big break and ran with it. His spicy personality and `no holds bar' attitude have kept him quite popular with the late night listeners, and his show is now being considered for national syndication. Champlain is insistent that, if this deal goes through, he is not changing his style in anyway to appease the big corporations.

Take it or leave it.

The film focuses on a particularly bad night. The callers keep getting more and more obscene and sadistic and this is taking a toll on the already edgy Champlain. His ex-wife is in the studio for what promises the first night of syndication, but problems off the air cause Champlain's dreams to shatter; and persistent callers keep messing with his nerves.

The film has some very strong opinions about society and youth and our attitudes towards one another, and it has the perfect outlet for those opinions, but sadly the film fails to really deliver them as strongly and defiantly as they could have. There are a few areas that could have been cleaned up. For starters, the flashback scenes were unnecessary. They take away from the apparent increase of suspense Stone was trying to permeate the film with. That suspense never truly kicks in until the last few moments (the walk to the car) and in essence the final brutal scene is dampened by the fact that the balance of the film seems forced. In fact, the suspense seems so forced that the film comes off rather hokey in areas. Eric Bogosian is obviously very devoted to this film and this story (he wrote the stage play from which the film is spawned, but his delivery is rather obnoxious and deters the audience from the message of the film. He comes off bitter and preachy as apposed to genuinely concerned.

This is disappointing, because the message here is very poignant today. We live in a world consumed with gloom and obsessed with misery, and this is the very caution that Champlain is throwing in our face. If it had been handled better it could have been one of the most socially important films of the 80's, maybe even today. Instead it is the film that could have been great but has to settle for decent.

2 out of 2 people found this helpful.
Free Speech, or Is It?
Added 8/5/2008

Directed by Oliver Stone, from the play of the same name, it is Dallas radio going out to the misfits who can't sleep at night and constantly call in to be castigated and abused by this irritable talk show shost. Barry Champagne gave me a headache, like Michael Savage used to do. I called a local talk show taking up two hours on my favorite station and asked them to "give us our music back." Words can injure and kill; they can cause permanent damage. The unstable callers are dangerous to themselves and to others as this movie showed so eloquently and one had to die for his religious persuation and born as Jewish. It just took one misfit who had the gall and gun to put this abrasive, insensitive (on and off the air) out of commission. He looked a lot like Seinfeld.

His ex-wife called him a troublemaker, a "con man" who wouldn't know how love feels. He forces callers to confess on the air to crimes. He gets everyone all riled up but insists that his boss be his "buddy." Radio people are never as you imagine they would. At first, it's always disappointing and a bit of a shock; the beautiful voice never matches the face or personality. That's why they are on radio and not t.v., funny or not. He and his listeners are in love with his voice and think he is kind. Wrong. He declared that there is nothing more boring than people who love you and tends to live in a dream world.

Like so many people, educated and ignorant, they believe what they read in the newspaper. He had a breakdown on the air and his erratic soliloquy talked him out of a job and he left some dead air (taboo on the live shows of radio or t.v.), while his listeners took his tirade as a joke except for the one waiting in the parking lot outside the station.

0 out of 1 people found this helpful.
Another great album of Copeland's music
Added 5/30/2009

Sting and Andy Summers, after The Police breakout were releasing album after album to great acclaim, Stewart decided to do film scores. While it was what he always wanted, the result is not so good for the listener. Film soundtracks rarely receive the same level of attention that regular records do. That (and untraditional approach to music) stop Stewart's film scores from being well-known. Also, limited number of CD's were released, so, if you (by some chance) like Copeland's music, you'll have hard time finding it.
Talk Radio/Wall Street OST is a real gem. All of the compositions were written and performed by the ex-Policeman. The number of tracks is 11, and they are quite lengthy - also good. And the price is MUCH LESS than 50 something dollars :P
So, if you are a fan of Stewart's eccentric musical style (like I am), buy this CD right now!!!

0 out of 1 people found this helpful.
class project
Added 4/20/2009

This movie was a class project. This is not a movie I would suggest buying for entertainment.
0 out of 1 people found this helpful.
Underrated Film
Added 4/9/2009

This film was largely overlooked and while it's not Stone's best film (that would be Platoon), it certainly is thought provoking and is the quintessential thinking man's film. If you are looking for guns, action, and car chases you should probably look elsewhere. If, however, you are looking for a film that challenges the way you view the world and see our society, definitely check the movie out. Even though it was made over 20 years ago, the film's message still resonates as talk radio today is arguably as relevant as ever.

Highly recommended!

0 out of 0 people found this helpful.
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