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Network (1976)
Released By: MGM Home Entertainment   Rating: R   In Theaters: N/A
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Studio: MGM Home Entertainment
Genre: Drama
MPAA Rating: R
Director: Sidney Lumet
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Beatrice Straight, Faye Dunaway, Ned Beatty, Peter Finch, Robert Duvall, William Holden
Published ID: 1430
UPC: 027616672025, 012569509122,
Plot: A trenchant satire of trash TV, Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he skews old. Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!' With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as The Mad Prophet of the Airwaves. Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Who knew this was apocalyptic literature?
Added 10/29/2009

Inside a smoky screening room.


STUDIO HEAD
So what do we want to call it?

LACKEY
I was thinking The Political Economy of Network Television: a Cautionary Tale.

SH
Nah. People might figure out it's a political flick. Network sounds snappy.

LACKEY
You're absolutely right, sir.

SH
Besides, if they're paying attention they'll figure it out anyway.


Uproarious laughter from SH and LACKEY as scene fades to black.

***

Apparently some people think the American moviegoing public will only drink politics if it's mixed with Kool-Aid (Kool-Aid being espionage, gangsterism, or neat biopics). Not so here! Sidney Lumet presents Paddy Chayefsky's screenplay the way it was meant to be: urgent, satirical, and spot-on. This one wears its political guts on the outside, dissecting the anatomy of network television and the relationship between it and the sensationalist acts of the ultraleft groups of the period.

In this respect it bears an eerie resemblance to Fassbinder's The Third Generation. But where Fassbinder targets the RAF, Lumet and Chayefsky take aim at the newsmakers. Person by person you see how the quest for ratings (and thus profits) warps people like worn-out gears.

But be warned: comparing this film with the state of TV today may cause you to echo Howard Beale: "I'm mad as hell, and I'm not going to take this anymore!"

0 out of 0 people found this helpful.
A Prescient Folly
Added 10/7/2009

When I first saw Paddy Chayefsky's media splash film "Network," I remember thinking how sad it would be should the news media, particularly the T.V. Broadcast News Media, ever fall so low as to turn the news into a media circus: i.e., news as Entertainment.
That was over 30 years ago, and as folks say: That was then, this is now. These days it is difficult to tell the difference between news and entertainment. A few hours watching FOX news blurs the line between commentary and news, and Commentary is nothing more than vitriolic venom spewed onto the choir of self-same fear-mongering hate filled hoards.
In other words, I love "Network," because it helps to frame the weird world we live in and says something about the fools we have become.

0 out of 0 people found this helpful.
Great acting + witty dialog.
Added 9/12/2009

A bit dated only because its message has become more obvious, and recognized by more people - and yet, the media (especially the news) continues degeneration. Hence, it remains totally relevant today. The 2-disc edition is definitely preferred, and the feature-length commentary is excellent. Lumet's directing of the characters was incredible, making them fully credible. Some characters seem a bit over the top - Ned Beatty's Jensen in particular, but given some of the top CEO's antics I've seen over the past couple of years, even his motivational speech to Finch doesn't seem unlikely.
Definitely to be highly recommended

0 out of 0 people found this helpful.
Can You Believe It Has Really Happened?
Added 8/21/2009

With all these reviews of this great film I only have one comment: can you believe that it has really happened? Back when this film debuted objective journalism and TV news was still a real option. There were still broadcast journalists. The idea that news would become just a sideshow of entertainment, propaganda, and misrepresenting to garner ratings was considered satire. But it really happened. Just turn on MSNBC. Sunday Morning political news. Reality TV shows. Forget the evening news - it doesn't exist anymore. Barbara Walters? A shill on the View. Channel your inner Howard Beale - "I'm mad as hell and I'm not going to take it anymore!" Open your windows. Let me hear you in Queens!

PS - One of the greatest American films ever. I'm not sure if it's greater than "Citizen Kane" or "The Godfather" but it's pretty darn good. Worth owning. Worth seeing again. Now more than ever.

3 out of 3 people found this helpful.
I'm Bored as Hell and I'm Not Going to Watch this Anymore
Added 8/3/2009

I know I am kicking a sacred cow when I say this, but the preaching and pontificating in this film went on and on.
There were many good moments, but Network seemed never to end. When Faye Dunaway's character would not stop talking about the show, while walking with William Holden, while eating with Holden, and even before, during, and after sex with Holden, I wanted him to tell her to "Shut the Hell up!"

This is a classic film for its time, and I liked it when I first saw it, but now, in 2009, seeing it again made me want to say, "Do something, if you are mad as Hell." Sticking heads out of windows and yelling about one's angst just unifies everyone in his angst. What if we all stuck our heads out windows and yelled,m "I'm thankful to be here, and if there is anything you need, just call me."? That's a good thing. The film got a response out of me.

I know this is a satire on the power of the media and its negativity. I was raised during the era it depicts. Walter Cronkite (his photo featured in the film) is one of my heroes. I thought that Face in The Crowd and Quiz Show were more entertaining.

I was considering showing this film to my English classes, but I am afraid they would be bored, and that I would lose them. I just wish there were more story and fewer long meetings, discussions about the meaning of media, and repetition.

Maybe I will change my mind upon another viewing, but that will not happen soon.
Marcielle Brandler
Visit TV Producer Brandler at: [...]
or email her at: [...]

0 out of 3 people found this helpful.
Who knew this was apocalyptic literature?
Added 10/29/2009

Inside a smoky screening room.


STUDIO HEAD
So what do we want to call it?

LACKEY
I was thinking The Political Economy of Network Television: a Cautionary Tale.

SH
Nah. People might figure out it's a political flick. Network sounds snappy.

LACKEY
You're absolutely right, sir.

SH
Besides, if they're paying attention they'll figure it out anyway.


Uproarious laughter from SH and LACKEY as scene fades to black.

***

Apparently some people think the American moviegoing public will only drink politics if it's mixed with Kool-Aid (Kool-Aid being espionage, gangsterism, or neat biopics). Not so here! Sidney Lumet presents Paddy Chayefsky's screenplay the way it was meant to be: urgent, satirical, and spot-on. This one wears its political guts on the outside, dissecting the anatomy of network television and the relationship between it and the sensationalist acts of the ultraleft groups of the period.

In this respect it bears an eerie resemblance to Fassbinder's The Third Generation. But where Fassbinder targets the RAF, Lumet and Chayefsky take aim at the newsmakers. Person by person you see how the quest for ratings (and thus profits) warps people like worn-out gears.

But be warned: comparing this film with the state of TV today may cause you to echo Howard Beale: "I'm mad as hell, and I'm not going to take this anymore!"

0 out of 0 people found this helpful.
A Prescient Folly
Added 10/7/2009

When I first saw Paddy Chayefsky's media splash film "Network," I remember thinking how sad it would be should the news media, particularly the T.V. Broadcast News Media, ever fall so low as to turn the news into a media circus: i.e., news as Entertainment.
That was over 30 years ago, and as folks say: That was then, this is now. These days it is difficult to tell the difference between news and entertainment. A few hours watching FOX news blurs the line between commentary and news, and Commentary is nothing more than vitriolic venom spewed onto the choir of self-same fear-mongering hate filled hoards.
In other words, I love "Network," because it helps to frame the weird world we live in and says something about the fools we have become.

0 out of 0 people found this helpful.
Great acting + witty dialog.
Added 9/12/2009

A bit dated only because its message has become more obvious, and recognized by more people - and yet, the media (especially the news) continues degeneration. Hence, it remains totally relevant today. The 2-disc edition is definitely preferred, and the feature-length commentary is excellent. Lumet's directing of the characters was incredible, making them fully credible. Some characters seem a bit over the top - Ned Beatty's Jensen in particular, but given some of the top CEO's antics I've seen over the past couple of years, even his motivational speech to Finch doesn't seem unlikely.
Definitely to be highly recommended

0 out of 0 people found this helpful.
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