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Taxi Driver (1976)
Released By: Sony Pictures Home Entertainment   Rating: R   In Theaters: N/A
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Studio: Sony Pictures Home Entertainment
Genre: Drama
MPAA Rating: R
Director: Martin Scorsese
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Albert Brooks, Cybill Shepherd, Harvey Keitel, Jodie Foster, Robert DeNiro, Leonard Harris
Published ID: 5595
UPC: 043396022690, 043396034815, 043396174047, 043396208698,
Plot: All the animals come out at night -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a real rain to wash the scum off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently saving teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous You talkin' to me improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the {~Cannes Film Festival}, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of God's lonely man, Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. ~ Lucia Bozzola, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Taxi Driver
Added 10/26/2009

I've wanted to see this movie for years, so I finally bought it. It was awful. The acting is great, but the plot line meanders all over the place. Jodie Foster is saved from a life of prostitution by a whack cab driver in an all too bloody shootout. I have nothing against sex and violence when it serves the storyline, but everything here was gratuitous, and the storyline seemed to wander all over the place. There were endless of DeNiro driving his cab, as if we needed to be reminded he was a cab driver. In the end, Jody goes back to her conservative family, and the wacko is hailed as a hero. Better she should have stayed on the street. The world doesn't need more yuppies. I was really disappointed with this story. If you thought Pulp Fiction was art, you might like it. I prefer a plot line that wasn't thrown together on the run.

0 out of 0 people found this helpful.
Another Boring Exploitation Movie
Added 10/25/2009

A man applies for a job as a taxi driver because he can't sleep nights. [Remember `Checker' cabs?] He comments on the people who come out at night. Travis visits a theater and eats junk food. He can't sleep. We see a campaign office at work. [Does the film drag here?] The cab drivers gossip. The conversation drags, and so does the film. [Is this a parody of campaign workers?] Do they have anything in common? "You need to clean up this city." "It's not going to be easy." A young woman meets his cab. Travis and Betsy go to a movie. Does it have a plot? [Is this meant as a joke?] Another strange bearded passenger talks to Travis. Is he sick? [Is this Martin Scorsese?] Does Travis make sense? The film drags on.

There is a near accident. Travis meets a salesman who makes house calls to display his wares. Are the prices reasonable? [Is this a parody?] Is Travis stalking somebody? Was that ZIP code correct? Is Travis going insane because of a lack of sleep? Does anyone notice? There is an attempted robbery of a small store. [Believable?] The film drags on. "No rough stuff." There is a failure to communicate. Is this a parody? Iris has a new friend. Is the conversation pointless? And the film drags on. There is a political rally at Columbus Circle. Does somebody stand out like an odd haircut? Travis runs off to do what he has to do. There is a violent shoot-out that should wake up those who dozed off. And so it ends, a tale full of sound and fury signifying nothing.

The last scene seems tacked on for the happy ending needed for commercial success. Is it believable? It just goes to show that a good plot is needed for a good story.

0 out of 1 people found this helpful.
Excellent Film
Added 10/21/2009

This film is incredible. DeNiro gives an outstanding performance and the supporting actors do very well. The cinematography is great, and it really enhances the feel of the movie. Worth watching by anyone who wants to see a well-thought, well-planned, phenomenal movie.
0 out of 0 people found this helpful.
"Raw!"
Added 10/11/2009

Probably the most grittiest film from the 1970's, "Taxi Driver" stars Robert DeNiro as a New York cab driver who falls for a girl (played by Cybil Shepherd) working as a supporter for a would-be Senator. After she dumps him the taxi driver decides to garner her attention by attempting to shoot the politician in cold blood. The other plot of the movie focuses on the DeNiro character discovering a young prostitute (played by Jodie Foster) and his attempts to get her pimp away from her. The movie is well-known for its use of firearms and the line "You talkin' to me?" The film is violent, especially the last moments of the film, but this kind of motion picture had to be made to show the seediest side of New York City and how people survive in a metropolis. The movie garnered 4 Oscar nods including ones for Best Picture, Best Actor for DeNiro, and Best Supporting Actress for Foster. This set includes a "Making-of Documentary" which is informative and entertaining with interviews with the cast and crew. The American Film Institute listed "Taxi Driver" as "One Of The Best Films Of All Time!".
0 out of 0 people found this helpful.
Brilliant cinematic achievement
Added 10/10/2009


When you mix a riveting script, with a blossoming director reaching his peak and the greatest actor of his generation, you get Taxi Driver. Robert DeNiro is spellbinding as Travis Bickle a ex-marine who gets a job as a new york taxi driver and dives into the depth of new york's urban decay. One of the best films of the 70's that stands the test of time; 5 stars.

0 out of 0 people found this helpful.
Taxi Driver
Added 10/26/2009

I've wanted to see this movie for years, so I finally bought it. It was awful. The acting is great, but the plot line meanders all over the place. Jodie Foster is saved from a life of prostitution by a whack cab driver in an all too bloody shootout. I have nothing against sex and violence when it serves the storyline, but everything here was gratuitous, and the storyline seemed to wander all over the place. There were endless of DeNiro driving his cab, as if we needed to be reminded he was a cab driver. In the end, Jody goes back to her conservative family, and the wacko is hailed as a hero. Better she should have stayed on the street. The world doesn't need more yuppies. I was really disappointed with this story. If you thought Pulp Fiction was art, you might like it. I prefer a plot line that wasn't thrown together on the run.

0 out of 0 people found this helpful.
Another Boring Exploitation Movie
Added 10/25/2009

A man applies for a job as a taxi driver because he can't sleep nights. [Remember `Checker' cabs?] He comments on the people who come out at night. Travis visits a theater and eats junk food. He can't sleep. We see a campaign office at work. [Does the film drag here?] The cab drivers gossip. The conversation drags, and so does the film. [Is this a parody of campaign workers?] Do they have anything in common? "You need to clean up this city." "It's not going to be easy." A young woman meets his cab. Travis and Betsy go to a movie. Does it have a plot? [Is this meant as a joke?] Another strange bearded passenger talks to Travis. Is he sick? [Is this Martin Scorsese?] Does Travis make sense? The film drags on.

There is a near accident. Travis meets a salesman who makes house calls to display his wares. Are the prices reasonable? [Is this a parody?] Is Travis stalking somebody? Was that ZIP code correct? Is Travis going insane because of a lack of sleep? Does anyone notice? There is an attempted robbery of a small store. [Believable?] The film drags on. "No rough stuff." There is a failure to communicate. Is this a parody? Iris has a new friend. Is the conversation pointless? And the film drags on. There is a political rally at Columbus Circle. Does somebody stand out like an odd haircut? Travis runs off to do what he has to do. There is a violent shoot-out that should wake up those who dozed off. And so it ends, a tale full of sound and fury signifying nothing.

The last scene seems tacked on for the happy ending needed for commercial success. Is it believable? It just goes to show that a good plot is needed for a good story.

0 out of 1 people found this helpful.
Excellent Film
Added 10/21/2009

This film is incredible. DeNiro gives an outstanding performance and the supporting actors do very well. The cinematography is great, and it really enhances the feel of the movie. Worth watching by anyone who wants to see a well-thought, well-planned, phenomenal movie.
0 out of 0 people found this helpful.
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