the dark heart of homeland war
Added 8/22/2009
THis is a very severe film. What promises in its opening minutes to be an eccentric British comedy of war-time pluck evolves into a very savage and vivid evocation of the socially corrosive effect of fighting a war of invasion on home territory. When we remember that this film was made actually at a time of war the effect is quite an eye-opener.
The film, while British in content and performance, was directed by the wordly Brazilian film-maker Alberto Calvacanti and so it is perhaps this which gives it its unsparing quality. A disturbing masterpiece, perhaps?
0 out of 0 people found this helpful.
|
An Intriguing Wartime Thriller
Added 4/10/2009
Having recently found this at a local DVD store I was sufficiently intrigued enough to buy it. Having finally sat down to watch this film early this morning I was rather surprised by this little UK propaganda film. Unlike many of its counterparts (either American or Birtish that I've seen anyway) this film went beyond simple propaganda needs and became an intriguing thriller in its own right.
The film's cast helps to sell much of the story. From Basil Sydney and David Farrar as the officers leading the attack to Leslie Banks as their ally in the village to the young Harry Fowler along with Valerie Taylor, Frank Lawton and Muriel George amongst others the cast all seem perfectly natural in their roles. All in all the result is that it's a fine cast telling a fine story.
The main selling point of this film though is the story. Years before Jack Higgins would turn the concept into his bestseller (and later still a fine film) called The Eagle Has Landed writers John Dighton, Angus MacPhail and Diana Morgan would take a short story by famed writer Graham Greene (The Third Man, Our Man In Hanvana etc.) and create a fascinating tale. From the moment Mervyn Johns gives his introduction to his epilogue for the story the audience is aware that this is a World War II propaganda film without any doubt. Yet it soon becomes apparent that this is far more then that. The story soon becomes a tale of deception, double crosses and the power of the ordinary person in a time of war. While the film's propaganda message will be lost on many modern viewers, the story is a compelling one to be sure.
The production value's are handsome as well. Tom Morahan designs make for a highly convincing English village which one imagines couldn't have been easily built during wartime. Famed composer William Walton (soon the become famous for his work on the Olivier Shakespere films) provided a fine score, especially at the opening and closing of the film. yet the highlight of the production side of the film is the wonderful cinematography by Wilkie Cooper. Cooper's cinematography, from sunny summer days to the moodiness of a night of desperate attempts, perfectly fits each moment and situation.
The film isn't perfect of course. While the story is intriguing in itself, there is something of a mistake made by having the opening and closing done by actor Mervyn Johns. While they serve a fine purpose as propaganda pieces (and of course bookends) the opening gives away quite a bit very early on which dampens the surprise that comes as the film progresses. There's also the staging of the battle sequences that, like many films of this era, seems rather dated today with all its hollering and men falling over. These are relatively minor problems though when compared with the rest of the film.
With the combination of intriguing story, nice performances and handsome production values Went The Day Well? is an intriguing film. While at times it is an overly obvious piece of World War II propaganda as a thriller it stands up quite well nearly seven decades on from when it was made. With its timeless tale of the power of the ordinary person it is a film that speaks even now.
0 out of 0 people found this helpful.
|
Stirring wartime tribute to the English spirit
Added 12/22/2008
You might call "Went the Day Well?" a precursor to "The Eagle Has Landed," for both films involve the clandestine wartime takeover of a rural English village by Nazis who hold the villagers hostage in the local church. Unfortunately, most filmgoers have never heard of "Day." It cost a tiny fraction of "Eagle" and contains no international stars (Leslie Banks is its biggest name), but it's ten times more moving, more suspenseful, and more genuinely atmospheric, and its characters -- young and old, upper class to yeoman to poacher, and particularly its women, many of them quietly heroic -- are far more vivid and memorable.
0 out of 0 people found this helpful.
|
You had better watch out...
Added 10/12/2008
This story takes us to a part of England in the early stages of the Second World War where a small village suddenly receives a visit from the troops - that is an army on manoeuvres just around of the time last days of peace. It is summer, it is calm and all go about their own chores. As usual we meet the Reverend, the pub owner, the milkman and the local Dad's Army. The visiting troops turn out to be something quite other than expected and display manners very unEnglish and sometimes rather brutal... reminding us of the threat that lay present those last free days of a Free Europe.. This is certainly a film for those of us who where too young to have been there, to remind to not always take freedom for granted, nor the freedom of speech, still regardless of age this is a film for all of us. It is entertaining, with Classic English humour and just like any good English detective story you don't know the killer until the very end...or your Army, for that matter..
1 out of 1 people found this helpful.
|
Bad movie
Added 8/28/2008
Hardly worth the effort to watch. Should not have spent my money on this.Be when reading reviews, they make it sound much better then it really is. This is a problem!
0 out of 7 people found this helpful.
|
