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Crazy In Alabama (1999)
Released By: Sony Pictures Home Entertainment   Rating: PG-13   In Theaters: N/A
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Studio: Sony Pictures Home Entertainment
Genre: Drama
MPAA Rating: PG-13
Director: Antonio Banderas
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Cathy Moriarty, David Morse, Meat Loaf, Melanie Griffith, Rod Steiger, Lucas Black
Published ID: 441494
UPC: 043396029774,
Plot: Comedy and drama take turns in this period piece based on a novel by Mark Childress. Peejoe (Lucas Black), short for Peter Joseph, lives in a small Alabama town in 1965, at the height of the Civil Rights movement. He becomes involved with a group of black students protesting the town's racially segregated municipal swimming pool, leading to a protest that explodes into deadly violence. But Peejoe has gotten a crash course in standing your ground and following your own path from his free-spirited Aunt Lucille (Melanie Griffith), who has killed her abusive husband and is headed for Hollywood, where she's convinced that television stardom awaits her. Crazy in Alabama marked the directorial debut of actor Antonio Banderas; his supporting cast includes Cathy Moriarty, Elizabeth Perkins, Rod Steiger, Fannie Flagg, and Meat Loaf Aday. ~ Mark Deming, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Fun escape
Added 8/3/2009

This movie truly is a fun escape even though there are some serious sub-plots (racism, domestic violence, etc). You will truly root for Lucille to win and expect laughter and tears on this journey. Great movie!
1 out of 1 people found this helpful.
Poignant, unbearably sad, and hysterical at the same time
Added 6/28/2009

I love this movie. I own it and have watched it several times--and each time I do, I glean something new from the story and the terrific dialog. Melanie Griffith is superb, and the entire cast couldn't be more perfect. I'd give it ten stars if I could.
1 out of 1 people found this helpful.
A good yarn
Added 11/23/2007

This is a surprisingly entertaining movie. I had never seen or heard of it before. Melanie Griffiths, who plays Lucille, is superb as the aspiring starlet who admits to killing her husband and then runs off to conquer Hollywood with her husband's head in a hat box. Back at home Lucas Black (Slingblade),her nephew, narrates how is life is in Alabama. The movie flips from her life on the run, and the boy's life back home. Meatloaf plays a racist cop to perfection as is the time of civil rights and segregation - a time of change. This movie takes life and makes it larger than life. It is a comedy, but it is also poignant and politically enlightening. When Lucille is eventually brought home to face justice after finding stardom on Bewitched, she meets the judge played by Rod Steiger. This is where reality flies out of the window and the story reminds us of those old black n' white 1930s movies where the heroine charms the court and escapes real justice. This is a movie that should have received more acclaim.
1 out of 2 people found this helpful.
Crazy behind the camera in Southern fried soap opera
Added 7/11/2007

Whatever became of It "Working Girl" Melanie Griffith,who defeated her rival Sigourney Weaver and won the heart of Harrison Ford? She married the younger Antonio Banderas,who decided to direct her as a quirky killer housewife turned Hollywood diva.

"Crazy in Alabama" is a bizarre blend of two stories-a housewife who killed her husband&flees to Hollywood,and that of a young Southern boy who is a witness to racial tensions and participates in the civil rights struggle of the '60s. The stories could've been melded well;instead,there is a constant,choppy bouncing between them.The voice-overs of the housewife (Griffith) and the boy (Lucas Black) are intrusive,an excuse for the director to tell instead of show.It's also heavy-handed. The housewife also carries her husband's head in a hatbox for most of the movie--which doesn't make sense. It's never explained why she's dragging the evidence of her murder everywhere she goes. The young boy's interracial friendship-and his growing maturity-could have been touching.His story is more compelling;Lucas Black is a talented young actor.He's convincing in his character's growth. There are excuses for celebrity cameos from Meat Loaf,Robert Wagner,George Foreman and Rod Steiger;but it doesn't further the movie. Melanie Griffith isn't convincing as an abused housewife or a mother of a large family;she's barely shown with her children,and there's no emotional connection. Instead,she plays a Southern belle Auntie Mame;campy,a drama queen,all glitter without substance.

"Crazy in Alabama" has only two redeeming points-the soundtrack is wonderful and the civil rights plot,while good,could've been handled better. As Antonio Banderas' directing debut,it's no wonder he now only promotes his perfume/cologne line and voices Puss in Boots for the Shrek movies.

0 out of 2 people found this helpful.
For the love of Melanie
Added 11/3/2004

Melanie Griffith is one of the biggest stars in the late 80's and early '90's, and her stardom has faded a bit in recent years. Although I really was impressed by her early work in Working Girls, it wasn't until I saw this film when I was swept away by her multi-layered performance that was funny, campy, and melodramatic. For a low-key period piece, she's the reason to see it.
Melanie plays a house wife raising 7 children under the roof of house dominated by her sexually, verbally, and physically abusive husband. She's had enough, so she cut his off and headed for Hollywood to pursue her acting career, leaving her kids and friends behind in Alabama. She carried his dead husband's head in a big hat box along for the ride. The police are trying to track her down.
She landed a gig in a TV show and became a big star over night. It's hard to believe that happened so easily. Everyone saw her on TV including the cops. A black boy was killed by a white boy accidently in Alabama and it was a huge racism scanddal. Melanie got arrested and was sent back to Alabama. Everyone treated her like a star when she arrived.
The courtroom scene was the climatic part of the film when Melanie gets to tell her story as a victim of abuse and trying to win the simpathy of the jury. I was so moved by this scene, and Melanie commands absolute attention, because she's very real and powerful emotionally. Whether she was released or sent to jail, you are just going to have to watch it.
It was obvious that Melanie gave her all to the direction of her husband/Antonio Banderas' debut. This is a must see for Melanie Griffith fans!

3 out of 4 people found this helpful.
Fun escape
Added 8/3/2009

This movie truly is a fun escape even though there are some serious sub-plots (racism, domestic violence, etc). You will truly root for Lucille to win and expect laughter and tears on this journey. Great movie!
1 out of 1 people found this helpful.
Poignant, unbearably sad, and hysterical at the same time
Added 6/28/2009

I love this movie. I own it and have watched it several times--and each time I do, I glean something new from the story and the terrific dialog. Melanie Griffith is superb, and the entire cast couldn't be more perfect. I'd give it ten stars if I could.
1 out of 1 people found this helpful.
A good yarn
Added 11/23/2007

This is a surprisingly entertaining movie. I had never seen or heard of it before. Melanie Griffiths, who plays Lucille, is superb as the aspiring starlet who admits to killing her husband and then runs off to conquer Hollywood with her husband's head in a hat box. Back at home Lucas Black (Slingblade),her nephew, narrates how is life is in Alabama. The movie flips from her life on the run, and the boy's life back home. Meatloaf plays a racist cop to perfection as is the time of civil rights and segregation - a time of change. This movie takes life and makes it larger than life. It is a comedy, but it is also poignant and politically enlightening. When Lucille is eventually brought home to face justice after finding stardom on Bewitched, she meets the judge played by Rod Steiger. This is where reality flies out of the window and the story reminds us of those old black n' white 1930s movies where the heroine charms the court and escapes real justice. This is a movie that should have received more acclaim.
1 out of 2 people found this helpful.
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