One of Allen's finest 'little pictures'
Added 7/28/2009
Woody's kept up a one-film-per-year pace for four decades, so they can't be all winners. His output, therefore, tends to fall into the major works (films like Manhattan, Hannah and Her Sisters, and Crimes and Misdemeanors, many of which have novelistic plots) and the minor ones (which tend to be more like short stories). Some of the minor films, like the recent Scoop, are so perfect in their own right, I'd rank them among his best work. Some of these movies, made one after the other, also tend to fulfill thematic arcs in Allen's career. In Deconstructing Harry, for instance, a writer who is a failed human being redeems himself through art. Shortly after that film, Allen made Sweet and Lowdown, about a musician who is a failed human being who redeems himself through his art. The film is one of those great minor works by Allen, even echoing the theme of Manhattan of a selfish man who realises the love of his life, but too late. (You snooze, you lose.) This film's greatness, though, is its loving attention to its jazz-age milieu (I love the house party sequences), and the performance of Sean Penn, easily his greatest not to be honoured with an Oscar.
0 out of 0 people found this helpful.
|
An Unacknowledged Remake of "La Strada"
Added 3/26/2009
I like Woody -- Hannah, Crimes, Broadway, are among my favorite films. But this is clearly a rip off of Felinni's (far superior) masterpiece.
0 out of 0 people found this helpful.
|
Not So Far From the Truth
Added 1/4/2009
I've loved this movie and the music in it since first seeing it shortly after it was released. Recently I learned that many of the odd little events were not so far from reality being based upon real events in Django Reinhardt's life. The crescent-moon chair is very close to the star that Django had built but then was afraid to actually use. Just as Emmett Ray was a cleptomaniac the real-life Django was skilled at "informal procurement" and was pleased when his youngest son showed a talent for the same. :)
I'm sure that none of us can even imagine the background that Django came from but Emmett Ray certainly brings to life a character that faced equally difficult challenges while having a rough start in life on the American side of the pond. Add in the "ego of genuius" and you have a volatile, yet delightful mix. I've known a lot of Jazz guitarists and Sean Penn's characterization of the fictional Emmett Ray is not all that far from reality.
If you love music, especially Jazz guitar, you will probably enjoy this movie. Also, if you enjoy a character that is clueless, insanely egotistic and ultmately lovable, look no further than Sean Penn's portrayal of the American Django, Emmett Ray.
0 out of 0 people found this helpful.
|
Emmet Ray: Wanna go to the dump and shoot some rats?
Added 4/30/2008
Woody Allen's "Sweet and Lowdown" (1999), a fictional biopic about "the world's second best jazz guitarist," Emmet Ray is sweet, funny, dramatic, filled with fantastic music and is simply terrific. "Sweet and Lowdown" reminds "Bullets over Broadway" (1994), another Allen's period movie set in the nostalgic area of great jazz and gangsters who understood and supported art and the artists, at least to the certain points. Sean Penn gave IMO his best performance as the man as talented as he was egotistic and self-centered. Creating and performing brilliantly the clear, magical, and melancholic guitar compositions, Emmett Ray (Penn) was also busy with kleptomania, a little pimping on the side, dealing with gangsters, shooting rats and watching passing trains as his favorite hobbies, and also drinking, and chasing girls. Young Samantha Morton who was only 21 and ironically never seen any Allen's movie prior to taking a role of Penn's mute girlfriend-laundress, had to do all the acting with her face, eyes, and body language and was she good. The unrequited tender and all-forgiving love has the face, and that's Samantha's face in Woody Allen's bittersweet, comical and poignant Fake documentary about a true talent which was larger than the man who possessed it.
0 out of 0 people found this helpful.
|
The Beginning of a Tsunami
Added 4/18/2008
It may be Woody Allen's second best film, next to Annie Hall and is at least partly responsible for a popular resurgence of interest in the legendary Romany guitar virtuoso, Django Reinhardt. Enough has been written about the film's wonderful cinematography, fine performances by Sean Penn and Samantha Morton and Mr. Allen's brilliant direction. Here I would like to emphasize the real star of the film: the music, as arranged and played by Howard Alden, one of the great new-generation jazz guitarists helping to bring about the revival of jazz Manouche, or Gypsy jazz.
Sweet and Lowdown helped create a new audience for this once ubiquitous European style, the almost singular creation of Django Reinhardt, swing jazz violinist Stephane Grappelli and the other house musicians of the now historic Parisian nightspot, Le Hot Club du France. A volatile amalgam of Romany folk melodies, musette dance tunes and newly-imported American jazz (which arrived in France shortly after 'the Great War') Django's music took fire in the nineteen thirties, surviving the Nazi occupation and thriving well into the post-WWII era. The death of Django Reinhardt in 1953 and the emergence of bebop effectively ended the public love affair with jazz Manouche, which all but vanished as record collectors snapped up the surviving 78s and only a few poorly mastered LP recordings survived.
But Django's solos, his amazing technique and signature tunes would survive over the decades in the Romany caravans from which it came, to resurface in the past decade as the Hot Club Revival, drawing increasingly large gatherings of musicians and fans to Django festivals, Django Jazz camps and nightclubs all over the world featuring Gypsy Jazz Nights. After digitally remastered CDs brought Reinhardt's prolific recordings back to the mainstream and a new generation of jazz musicians discovered the joys of playing this challenging style, the revival took root. Now there is a new generations of Gypsy jazz guitarists such as Bireli Lagrene, Angelo DeBarre, Stochelo Rosenberg and others, who are responsible for keeping the flame alive.
Howard Alden did an amazing job recreating the sound and energy of Hot Club swing, providing a much deeper level of authenticity to what, in the wrong hands, could have been just another shallow period piece. The cars and clothes may have a vintage look and feel, but the music sounds fresh, vibrant and extremely listenable, even to the uninitiated ear.
If you haven't seen this film, you're in for a treat. Afterwards, you may want to venture out to hear more of this incredible music, thereby joining the tidal wave of Django enthusiasts literally sweeping the music world. And that wave isn't cresting any time soon.
-Bill Barnes
1 out of 1 people found this helpful.
|
One of Allen's finest 'little pictures'
Added 7/28/2009
Woody's kept up a one-film-per-year pace for four decades, so they can't be all winners. His output, therefore, tends to fall into the major works (films like Manhattan, Hannah and Her Sisters, and Crimes and Misdemeanors, many of which have novelistic plots) and the minor ones (which tend to be more like short stories). Some of the minor films, like the recent Scoop, are so perfect in their own right, I'd rank them among his best work. Some of these movies, made one after the other, also tend to fulfill thematic arcs in Allen's career. In Deconstructing Harry, for instance, a writer who is a failed human being redeems himself through art. Shortly after that film, Allen made Sweet and Lowdown, about a musician who is a failed human being who redeems himself through his art. The film is one of those great minor works by Allen, even echoing the theme of Manhattan of a selfish man who realises the love of his life, but too late. (You snooze, you lose.) This film's greatness, though, is its loving attention to its jazz-age milieu (I love the house party sequences), and the performance of Sean Penn, easily his greatest not to be honoured with an Oscar.
0 out of 0 people found this helpful.
|
An Unacknowledged Remake of "La Strada"
Added 3/26/2009
I like Woody -- Hannah, Crimes, Broadway, are among my favorite films. But this is clearly a rip off of Felinni's (far superior) masterpiece.
0 out of 0 people found this helpful.
|
Not So Far From the Truth
Added 1/4/2009
I've loved this movie and the music in it since first seeing it shortly after it was released. Recently I learned that many of the odd little events were not so far from reality being based upon real events in Django Reinhardt's life. The crescent-moon chair is very close to the star that Django had built but then was afraid to actually use. Just as Emmett Ray was a cleptomaniac the real-life Django was skilled at "informal procurement" and was pleased when his youngest son showed a talent for the same. :)
I'm sure that none of us can even imagine the background that Django came from but Emmett Ray certainly brings to life a character that faced equally difficult challenges while having a rough start in life on the American side of the pond. Add in the "ego of genuius" and you have a volatile, yet delightful mix. I've known a lot of Jazz guitarists and Sean Penn's characterization of the fictional Emmett Ray is not all that far from reality.
If you love music, especially Jazz guitar, you will probably enjoy this movie. Also, if you enjoy a character that is clueless, insanely egotistic and ultmately lovable, look no further than Sean Penn's portrayal of the American Django, Emmett Ray.
0 out of 0 people found this helpful.
|
