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King Of Hearts (1966)
Released By: MGM Home Entertainment   Rating: Not Rated   In Theaters: N/A
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Studio: MGM Home Entertainment
Genre: Comedy
MPAA Rating: Not Rated
Director: John Anderson
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Adolfo Celi, Alan Bates, Genevieve Bujold
Published ID: 353977
UPC: 027616860415,
Plot: The French/Italian/British King of Hearts (Le Roi de Coeur) takes place during World War I, but it might as well have been the Vietnamese conflict so far as its youthful core audience was concerned. Overacting outrageously, Adolfo Celi plays British colonel Alexander MacBibenbrook, who orders mild-mannered Scotsman Pvt. Charles Plumpick (Alan Bates) to undertake a life-or-death mission in a tiny French village. While evacuating the town, the Germans have left behind a time bomb that will explode at midnight; Plumpick must defuse that bomb. Upon his arrival in town, Plumpick discovers that it is far from deserted. A group of inmates from the local insane asylum, left behind during the evacuation, have claimed the village for their own. Knocked unconscious, Plumpick awakens to learn that he has been crowned King of Hearts by the gentle lunatics. None of the inmates pay any heed to Plumpick's warnings about impending doom, and when he attempts to lead them out of town, they are terrified at the prospect and scurry back to the safety of the village. Plumpick is finally able to render the bomb useless, whereupon the grateful inmates decide to stage a three-year celebration. When Plumpick tries to leave, he is kidnapped by the loonies at the behest of beautiful inmate Coquelicot (Geneviève Bujold), who has fallen in love with him. Bound and gagged, Plumpick watches helplessly as the Germans and the British troops kill each other off in comic-opera fashion. Finally set free, Plumpick weighs the horrible insanity of war against the more benign brand of lunacy represented by the inmates. The final image -- of a nude Plumpick carrying a birdcage, knocking on the doors of the asylum, and demanding that he be accepted -- was reproduced for the print ads of King of Hearts, effectively giving away the ending. An essential date film of the 1970s, King of Hearts was often released to campus movie houses in tandem with a pair of cult-favorite short subjects, the animated Bambi Meets Godzilla and Lenny Bruce's Thank You Masked Man. ~ Hal Erickson, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
the King of Heartrs
Added 10/14/2009

I received the DVD within a few days. I waited to reply until I played it to make sure everything was fine. It was. I would do business with them again.
0 out of 0 people found this helpful.
King of Heats
Added 9/13/2009

I always love this movie and I thank you for having it. Thank you again.
0 out of 0 people found this helpful.
King of Hearts
Added 5/2/2009

Without a doubt one of the best movies I have ever seen. I saw it years ago in the 1970's and never forgot it. Highly recommend it to all.
0 out of 0 people found this helpful.
High energy, garish chromatics, an autonomous world almost to the end.
Added 3/17/2009

I practically found it necessary to get my hands on a copy of this film after acquaintances kept referring to it whenever a discussion of all-time "guilty cinematic pleasures" arose. For much of the film's first half, I confess I was impressed by little else than the kaleidoscopic, richly-saturated colors and non-stop energy in virtually every scene. In describing the film to a newbie, comparisons seem only natural, and yet the film is sufficiently unique to resist them. Think of "Strangelove" as directed by Fellini in glorious technicolor with lots of help from the Monty Python crew. It's still only a start. The closest parallel is Lewis Caroll: "But I don't want to go among mad people," said Alice. "Oh, you can't help that," said the cat. "We're all mad here."

The strength of this film is that it creates a world as autonomous, as sui generis, as unrelated to anything but itself as "Alice in Wonderland"--far too removed from any familiar historical reality to qualify as what we normally think of as "satire." And yet we know that at some level this gala spectacle with all of its manic narcissism and theatrical self-indulgence is connected with the serious business of war, and perhaps the most tragic and devastating world war of them all--a war with machines capable of destroying millions but without the medicine to alleviate the pain of a mere few.

The only letdown comes when, following the ceremonious mutual destruction of two armies, one of the "lunatics" asks, "Don't you think this acting is a bit over the top?" By this time we've accepted such outrageous and bizarre behavior as our norm, and being told that it's sane when compared to a world at war is not a little didactic and gratuitous. More satisfying is a lunatic's final pronouncement that murder and mayhem are best seen "through a window"--or, as the film enables us to discover, on a movie screen and in the company of fellow spectators capable of joining us in a theater of the imagination--or, if you prefer the story's metaphor, an asylum with like-minded lunatics.

The present DVD copy retains all of the color of some of the better technicolor prints of the '50s (many '60s and '70s films show their age due to fading or iridescent chromatics); the images are quite sharp; the monophonic soundtrack is sufficiently resonant and festive. The aspect ratio is somewhat of a disappointment: 3 of the ratios are distorted or poorly fitted to a 16:9 screen; the "right" one uses only half of the total screen space. It's a neat little film, but much of its success goes beyond plot, offering in its place an alternative cinematic world for the spectator to find a place in. It's due for a resized, remastered Blu Ray edition--if it could be so fortunate as to find present-day applicants for the asylum.

1 out of 1 people found this helpful.
The Lunatic Asylum Comedy
Added 11/12/2008

"October 1918" is the date for this story. German soldiers are planting explosives to destroy the advancing British soldiers when they occupy a French city. The townspeople hurriedly evacuate the town. The British are warned, they will not march into town. Instead Private Plumpick [some pun?] will be sent in to scout the town and defuse the bombs - by himself! [Believable?] Discovered by the Germans, he flees into a building for refuge and safety; it is the local insane asylum. The result of the German withdrawal is the inmates can wander freely into the deserted town and select new clothes from the abandoned homes. [This slow-paced action doesn't seem too funny to me.] Comedy is in part cultural, and attitudes change. Perhaps the humor is in suggesting the clothes make the man or woman? Or what looks like normal people are really insane underneath?

This film is certainly unusual for its time. Is it an example of "French Farce"? Were any animals hurt in making this film? [One scene shows armored cars; did they exist at that time?] The film runs on, some scenes are comic and remind me of the clowns in a circus. Will a fireworks display have unintended consequences? Will opposing soldiers fire at each other at unbelievably close range? Will the freed lunatics return to their asylum? Where are the alienists? "Oh dear, who is it now?"

I can't believe this film was successful among viewers. Did they overspend on the costumes and underspend on the story?

0 out of 8 people found this helpful.
the King of Heartrs
Added 10/14/2009

I received the DVD within a few days. I waited to reply until I played it to make sure everything was fine. It was. I would do business with them again.
0 out of 0 people found this helpful.
King of Heats
Added 9/13/2009

I always love this movie and I thank you for having it. Thank you again.
0 out of 0 people found this helpful.
King of Hearts
Added 5/2/2009

Without a doubt one of the best movies I have ever seen. I saw it years ago in the 1970's and never forgot it. Highly recommend it to all.
0 out of 0 people found this helpful.
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