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The Great Imposter (1960)
Released By: MCA Universal Home Video   Rating: Not Rated   In Theaters: N/A
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Studio: MCA Universal Home Video
Genre: Drama
MPAA Rating: Not Rated
Director: Robert Mulligan
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Arthur O'Connell, Edmond O'Brien, Gary Merrill, Karl Malden, Raymond Massey, Tony Curtis
Published ID: 3578
UPC: N/A
Plot: The Great Impostor is the true story of chameleonlike Canadian Ferdinand Waldo DeMara Jr., well-played by Tony Curtis. Unable to decide what he wants to do with his life, DeMara goes about pretending to be other people, hoping to eventually find himself. He poses as a Harvard professor, a Trappist monk, a prison warden, and a navy physician, and manages each time to get away with the artifice. The film wavers uncertainly between tense drama and frothy comedy, with comedy finally winning out. Karl Malden co-stars as Father Devlin, the young DeMara's spiritual advisor, while Joan Blackman is the nominal (and hardly visible) heroine. The real Ferdinand DeMara (if indeed there was a real Ferdinand DeMara) can be seen in a supporting role in the 1960 melodrama The Hypnotic Eye. ~ Hal Erickson, All Movie Guide
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Another Interesting Role For Curtis
Added 5/22/2009

Tony Curtis portrays "Ferdinand Waldo Demara Jr.," who faked being a doctor, warden, monk and teacher. When I saw this at the theater almost 50 years ago, I thought it was fascinating. Much older and seeing it on tape about 10-15 years ago, it wasn't as interesting as I had remembered. I guess when you're a kid, everything on the big screen is impressive.

Humor helped in this movie, giving it some life here and there as it's a bit slow-moving. However, I've usually found Curtis entertaining to watch, a man who played a lot of interesting characters. I still think he is/was an underrated actor, too.

It was nice seeing the main character, although being a fake, still asking for God's help in certain situations, inside knowing he was not doing the right thing. Those parts would be edited out if the film was re-made today. Also, faking being a surgeon is not something to be laughed at, especially if he was doing his operating on you or me!

1 out of 1 people found this helpful.
Lighthearted Biopic Akin to Catch Me If You Can
Added 4/26/2009

Ferdinand Waldo Demara was busy deceiving people six years before Frank Abagnale was even born. Who's Frank Abagnale, you ask? You might remember: He's the guy "Catch Me If You Can" was based on. So if you liked that movie, then you're almost sure to enjoy this lighthearted biopic on Demara. That's assuming you like classic movies, of course. I wouldn't say this film is one of the all-time greats, but I easily give it five stars because it's an underrated, one-of-a-kind piece of entertainment that will hold your attention from beginning to end.

0 out of 0 people found this helpful.
The Original "Catch me if you Can"
Added 3/8/2003

If you liked "Catched me if you can", then you would enjoy watching the original with Tony Curtis. Tony Curtis does a real good job of pretending to be other people.
6 out of 10 people found this helpful.
The Great Imposter: When Being Yourself Is Not Enough
Added 7/22/2002

Nearly everyone has at one time or another wished to be other than who they are. The reaching out to be more than one is has often formed the staple of Hollywood. The result is humorous more often than not. In THE GREAT IMPOSTER, director Robert Mulligan provides a darkly comical aspect of a subject that, in this film at least, is only a hairsbreath away from tragedy. Tony Curtis plays Ferdinand Waldo Demarra, a young man who from early childhood cannot make his own mark on the world and determines to make a series of marks by stealing the identities of more qualified others. In a series of vignettes whose only link is to show that Demarra's quest for recognition by using the names of others whom he deems as more worthy than himself is each time an exercise in futility. It does not matter whether he impersonates a physician, a warden, or even a police officer. In each case, he performs flawlessly to such an extent that he is the victim of his own celebrity and talent. When he is exposed, he moves on, shedding his previous identity before assuming a new one. The irony is that Demarra refuses to believe the sincerity of the accolades that he truly earns. The more his peers praise him, the more he cannot accept that praise at face value. Nowhere in the film does he provide a meaningful rationale for his futile gropings for self-esteem. His deficient ego is simply there, daring both himself and the audience to wonder what drives on a man who has such limitless talent at improvisation but such limited belief in his own identity as Demarra. By the movie's end, he has gone full circle. He has learned nothing about what fuels his desire to be someone else, and when the audience sees that he has been hired to catch himself, the humor of this irony covers a mystery that may never be revealed.
0 out of 0 people found this helpful.
A neglected minor gem!
Added 12/25/2000

You will rarely see this film mentioned in books on cinema history, or on lists of "top video faves", but it is a highly enjoyable minor gem which provides an excellent role for the young Tony Curtis. It is the (mostly) true story of Ferdinand Demara Jr., and his amazing career of successfully posing as a U.S. Army officer, a Navy dental surgeon, a prison warden, and several other things which he was not. Solid support is provided by several fine character actors (Edmund O'Brien, Arthur O'Connell, Larry Gates, Raymond Massey, Karl Malden). Slightly overlong, but well worth seeing. The final shot is very funny.
9 out of 10 people found this helpful.
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