Burying The Heart at The Wild West Show
Added 1/24/2009
Altman's comedies aren't always that funny. With a radiant Paul Newman, supported by Burt Lancaster's bemused Ned Buntline of the dime novel, we have a script delivering a steady drumroll of putdowns about the creation of the West. Buntline exits stage door left, deeply uncertain about the transformation of his own commodity into a newer, more spectacular, but thinner variant. Whatever resonance the film may be attempting to strike with 1880s values, Altman's film has plenty to say about 1970s liberal values. The buffoonery proceeds apace while Bill connives to con Sitting Bull to headline his Wild West Show. The Sioux lads (Sitting Bull has an interpreter, the aptly dubbed and granite-like, William Sampson)don't budge a grain of gravel in contracting to participate. They comply merely to facilitate the course of Sitting Bull's dream. The camera frequently withdraws to encompass the immensity of the eternal mountain range behind the ephemerality of the carnival. Bill is foiled. His grog-addled arrogance and vanity are no match for the sombre indigenies who stake their land claim,to no avail, before an supremely ignorant President Cleveland. The whites are the dills in Altman's bigger picture which has Bull's demise promptly trivialised when re-enacted in the pitiful stage death by his stoic interpreter.Hadn't he said not long before something like,'History is just disrespect for dead people'?
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YOU CAN DO BETTER, ALTMAN-WISE . . .
Added 4/20/2007
When Altman is good he's great. Like in McCabe & Mrs. Miller, Shortcuts, The Player and, oh yes, MASH. The Amazon review for BB et al should be read before ordering this. Like, flat-footed and obvious, I think they say. Beyond Altman, an akin movie of this time would be Little Big Man, which is sensational, not stupid.
0 out of 3 people found this helpful.
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interesting
Added 2/15/2007
I was filmed in my home town and a very good friend of mine was a extra in the movie and we looked at it to see if we could pick her out. Unfortunatly we did not find her. o-well
0 out of 3 people found this helpful.
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Intriguing Idea But A Bit Shallow
Added 12/1/2006
Paul Newman stars as Buffalo Bill, the showman of the wild west, with his circus act of performers. Robert Altman is famous for movings that expose how easily people fall for myths and stories, and this is no exception. Bill and his crew are all larger than life, believing in the stories written about themselves. They decide to put Geronimo into their act, thinking that they can stir up their audience into a blood lust against the "evil Indians".
To their surprise, people actually respect the native Americans, and even the president comes out to meet Geronimo for himself. In the end it's only Geronimo that speaks honestly, and he is ignored. He leaves the white men to their problems.
There are a number of famous actors and actresses here - Joel Grey, Harvey Keitel, Burt Lancaster, Geraldine Chaplin. Undoubtedly all signed on to make a movie that had social significance, especially with it coming out in 1976 - America's 200th year of independence. However, they are in essence satiring people who in fact were "heroes" in many ways. Buffalo Bill did in fact do some impressive things in his life. By all accounts Geronimo liked him and enjoyed being with him. For many of the city slickers, these shows were their only glimpse into what the wild west was all about, even in a general portrayal.
Also, the native americans are treated as being supernatural Gods. They get across rivers that are uncrossable, they set up lodgings where they should not be able to. There isn't any relating to them as people, as a culture. I would really have liked to see more of the cross-cultural issues - the different ways in which they related to women, to minorities, to performing in public.
1 out of 2 people found this helpful.
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Terrific Newman Performance in Lesser Known Altman Flick
Added 7/2/2006
Robert Altman's expertise at framing and then exposing the three dimensions of show business, of presentation and performance, place and status, ala Nashville, Gosford Park, A Praire Home Companion, The Player, The Company and Kansas City (to name a few), gets the interesting, ironical and historical treatment here.
In Paul Newman's Buffalo Bill Cody, legend of the wild west, and extraordinary showman, Altman gives the American man of myth, then chips away at him, all while the rival and counterpart Sitting Bull grows and deepens in merely standing still. Newman's performance is terrific, his eyes never betraying the truth of his limitations, though his histriotics along with those of his minions in his large show, work very well at entertaining and maintaining. Joel Grey, Kevin McCarthy and Harvey Keitel all stand out as Newman's producing partner, press agent and flunky respectively. Their sycophancy echoes the Emperors New Clothes, and is set against Sitting Bull and his right hand man Halsey, who agree to join the wild west history show in order to tell the truth of the matter, ever stoic and unimpressed by the show.
With humor and his trademark layering of sound, dialogue and wit Altman gives us the lesson of what is real and unreal, fraudulent and true, the stuff of history books and shows, and the heart of the matters.
4 out of 4 people found this helpful.
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Burying The Heart at The Wild West Show
Added 1/24/2009
Altman's comedies aren't always that funny. With a radiant Paul Newman, supported by Burt Lancaster's bemused Ned Buntline of the dime novel, we have a script delivering a steady drumroll of putdowns about the creation of the West. Buntline exits stage door left, deeply uncertain about the transformation of his own commodity into a newer, more spectacular, but thinner variant. Whatever resonance the film may be attempting to strike with 1880s values, Altman's film has plenty to say about 1970s liberal values. The buffoonery proceeds apace while Bill connives to con Sitting Bull to headline his Wild West Show. The Sioux lads (Sitting Bull has an interpreter, the aptly dubbed and granite-like, William Sampson)don't budge a grain of gravel in contracting to participate. They comply merely to facilitate the course of Sitting Bull's dream. The camera frequently withdraws to encompass the immensity of the eternal mountain range behind the ephemerality of the carnival. Bill is foiled. His grog-addled arrogance and vanity are no match for the sombre indigenies who stake their land claim,to no avail, before an supremely ignorant President Cleveland. The whites are the dills in Altman's bigger picture which has Bull's demise promptly trivialised when re-enacted in the pitiful stage death by his stoic interpreter.Hadn't he said not long before something like,'History is just disrespect for dead people'?
0 out of 0 people found this helpful.
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YOU CAN DO BETTER, ALTMAN-WISE . . .
Added 4/20/2007
When Altman is good he's great. Like in McCabe & Mrs. Miller, Shortcuts, The Player and, oh yes, MASH. The Amazon review for BB et al should be read before ordering this. Like, flat-footed and obvious, I think they say. Beyond Altman, an akin movie of this time would be Little Big Man, which is sensational, not stupid.
0 out of 3 people found this helpful.
|
interesting
Added 2/15/2007
I was filmed in my home town and a very good friend of mine was a extra in the movie and we looked at it to see if we could pick her out. Unfortunatly we did not find her. o-well
0 out of 3 people found this helpful.
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