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Colonel Chabert (1994)
Released By: Republic Pictures Home Video   Rating: Not Rated   In Theaters: N/A
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Studio: Republic Pictures Home Video
Genre: Drama
MPAA Rating: Not Rated
Director: Yves Angelo
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Andre Dussollier, Fabrice Luchini, Fanny Ardant, Gerard Depardieu
Published ID: 5542
UPC: N/A
Plot: This metaphorical drama, about the changes brought to French society by revolution, stars Gérard Depardieu as Chabert, a French soldier who served under Napoleon in 1807 and was thought to have died in battle. In fact, Chabert was nearly buried in a mass grave with a large number of deceased soldiers, but he managed to crawl from the pile of corpses and has been wandering through the French countryside ever since. In the ten years since his death, Chabert's wife (Fanny Ardant) has spent his fortune and gone on to marry Count Ferraud (Andre Dussolier), which has made her a woman of wealth and power. When Chabert, now a lumbering tramp, confronts the Countess, she refuses to admit that he was once her husband, and Chabert takes her to court to recover his money and property. Colonel Chabert was based on a novella by Honoré de Balzac, and it marked the directorial debut of Yves Angelo, previously one of France's top cinematographers. ~ Mark Deming, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Exquisite Balzac adaptation:Your name means everything!
Added 2/21/2007

Honoree de Balzac's novels are known for their callous and cool characters of 19th Century France.Anne Chabert has moved on and remarried now that her Colonel/husband has been dead these past ten years.Enter The Colonel,ready to reclaim his name,his wife,his fortune only to be shunned and blocked at all turns.Fanny Ardent and Gerard Depardieu are no strangers to the acting in adaptations of Balzac's works.They succeed on all levels as two of the best French actors ever to grace the screen.The excellent companion film to COLONEL CHABERT would be BALZAC,again featuring Ardent and Depardieu,as well as COUSIN BETTE, another Balzac adaptation.THE RETURN OF MARTIN GUERRE(also starring Depardieu) and it's American remake SOMMERSBY also contain the similar themes of lost identity.
1 out of 1 people found this helpful.
Almost lousy
Added 8/28/2005

Although a fan of French films and historical realism, I was disappointed with this particular work. The film is not terribly advanced; it's themes are simple and portrayed well, but not excellently. The characters are somewhat realistic, but not developed well, and most are not likeable, even when they should be. Moreover, the film is boring; it takes a lot of time to relate even a little bit of not so interesting information. The ending, meanwhile, is anti-climatic and not totally unexpected. The average viewer will watch with a cold detachment, at best. Overall, not a bad film to watch if you've absolutely nothing better to do, but there are much better French films out there.
0 out of 5 people found this helpful.
Excellent Adaptation
Added 7/29/2004

Yves Angelo's adaptation of Balzac's classic short story is a moving work in which the direction, cinematography and acting all excel in manifesting Honore de Balzac's moving exploration of the human condition.

The morbid opening scene of the aftermath of Napoleon's phyrric victory at Eylau is accentuated by haunting melody of Beethoven's "Ghost" trio: a recurring thematic image througout the film. One truly feels how vanquished and disillusioned the colonel must have felt in seeing himself among the piles of corpses on the frigid battlefield. All the colonel wants is to be reunited with his identity that his heartless wife has denied him for the past decade. The colonel himself is a ghost among the living; a man with only a past but no future: a man whose sense of self died along with the ambitions of the Napoleanic reign. His wife wants only the lavish life which he had made available to her but not his person; his "death" ensures and continues her prosperous life. The movie truly captures the deep character study typical of Honore de Balzac's works.

Altogether a brilliant film with great direction and powerful acting. I hope the film will soon be released on DVD.


4 out of 4 people found this helpful.
Great!
Added 8/21/2002

Quite a wonderful movie that gets better every time I watch it. Superb acting. Elegant script.
5 out of 6 people found this helpful.
Bravo Angelo
Added 6/17/2001

This directorial debut for cinematographer Yves Angelo who shot Claude Berri's Germinal and Alain Corneau's Tous Les Matins du Monde is an exciting achievement, visually ravishing. This is a beautiful realisation of the Honore de Balzac story of a soldier thought to have been killed in the 1807 Battle of Eylau, who returns to Paris to reclaim his name and fortune from his now remarried wife. The similarity to The Return of Martin Guerre is drawn because of the casting of Gerard Depardieu as the soldier, but the identity of Chabert is never challenged. Angelo includes footage of the battle using a blue filter and we see the obscenity of war by the burning of a dead horse, and the nobility of of a charge via the thudding of hooves on snow. When human bodies are piled to be buried the mud makes the image sculptural. These sequences are brief flashbacks but they, and the training camp where Chabert resides with white bears during negotiations for his claim, help us to understand his character. The film is well-paced, with scenes timed at just the right speed to allow an audience to appreciate the intricacies of the tale unfolding. Of note are the editing of a pre-bed servant ritual which is carried out, without fuss, under a conversation, and Depardieu finding eggs in a birds nest signalling the appearance of his former wife's children. Since the screenplay is based on a novel, part of the pleasure to be had is in the richness of the language, delivered by 3 superb actors. Chabert is a wounded character and Depardieu hides him under a large hat, reminiscent of a fop and The Cat in the Hat. If Depardieu is not as memorable as he has been in other roles it's probably because here he defers his scenes to Fabrice Luchini as his lawyer and Fanny Ardant as his former wife. Luchini is the mediator between the two and while his words may soothe, his eyes are daggers. Ardant at times resembles Ingrid Bergman and she isn't afraid to show how manipulative her character is. Her love for Chabert is explicably entangled with his money and her soft dresses, bonnets and ribbons hide a viper. A special nod to the costume designer Franca Squarciapino, and to Angelo's discreet use of classical music.
8 out of 8 people found this helpful.
Exquisite Balzac adaptation:Your name means everything!
Added 2/21/2007

Honoree de Balzac's novels are known for their callous and cool characters of 19th Century France.Anne Chabert has moved on and remarried now that her Colonel/husband has been dead these past ten years.Enter The Colonel,ready to reclaim his name,his wife,his fortune only to be shunned and blocked at all turns.Fanny Ardent and Gerard Depardieu are no strangers to the acting in adaptations of Balzac's works.They succeed on all levels as two of the best French actors ever to grace the screen.The excellent companion film to COLONEL CHABERT would be BALZAC,again featuring Ardent and Depardieu,as well as COUSIN BETTE, another Balzac adaptation.THE RETURN OF MARTIN GUERRE(also starring Depardieu) and it's American remake SOMMERSBY also contain the similar themes of lost identity.
1 out of 1 people found this helpful.
Almost lousy
Added 8/28/2005

Although a fan of French films and historical realism, I was disappointed with this particular work. The film is not terribly advanced; it's themes are simple and portrayed well, but not excellently. The characters are somewhat realistic, but not developed well, and most are not likeable, even when they should be. Moreover, the film is boring; it takes a lot of time to relate even a little bit of not so interesting information. The ending, meanwhile, is anti-climatic and not totally unexpected. The average viewer will watch with a cold detachment, at best. Overall, not a bad film to watch if you've absolutely nothing better to do, but there are much better French films out there.
0 out of 5 people found this helpful.
Excellent Adaptation
Added 7/29/2004

Yves Angelo's adaptation of Balzac's classic short story is a moving work in which the direction, cinematography and acting all excel in manifesting Honore de Balzac's moving exploration of the human condition.

The morbid opening scene of the aftermath of Napoleon's phyrric victory at Eylau is accentuated by haunting melody of Beethoven's "Ghost" trio: a recurring thematic image througout the film. One truly feels how vanquished and disillusioned the colonel must have felt in seeing himself among the piles of corpses on the frigid battlefield. All the colonel wants is to be reunited with his identity that his heartless wife has denied him for the past decade. The colonel himself is a ghost among the living; a man with only a past but no future: a man whose sense of self died along with the ambitions of the Napoleanic reign. His wife wants only the lavish life which he had made available to her but not his person; his "death" ensures and continues her prosperous life. The movie truly captures the deep character study typical of Honore de Balzac's works.

Altogether a brilliant film with great direction and powerful acting. I hope the film will soon be released on DVD.


4 out of 4 people found this helpful.
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