A More Docile Approach to the REAL Story Behind "The Exorcism of Emily Rose"
Added 10/17/2009
There has been quite a good number of movies that have been inspired by the life a German- Catholic young woman named Anneliese Michel, who was believed to have been possessed by 6 or more demonic entities. More or less, folks are very familiar with Scott Derrickson`s "The Exorcism of Emily Rose" which may be the most popular one due to Hollywood`s marketing ability. Another film that depict her life is "Exorcism: the Possession of Gail Bowers" which I haven't seen yet. "REQUIEM" however, has been billed as the most accurate and truthful depiction of the events in Anneliese Michel's experience with exorcism and bouts with epilepsy. The film is directed by German director Hans-Christian Schmid and presents a dramatic approach of the true events rather than approaching them with the trappings of a horror movie. The names have been changed to protect the persons involved.
Germany in the late 1970's. Michaela Klingsler (played by Sandra Huller) is young devout Catholic woman who suffers from Epilepsy who is determined to get a college degree regardless of her condition. She sees education as a form of an `escape" away from her family's overly religious ways and traditional beliefs. She shows great potential in becoming a scholar and with a very timid support from her father (Burghart Klausner), she begins to excel in her studies. She also tries to build relationships while fighting a feeling of loneliness and sexual awakening. Several months after Michaela becomes a college student and she begins to experience strange things within her psyche; Michaela begins to hear voices, she begins to see things no one else could and what is more disturbing is that she has begun to be repulsed by religious objects, prayers and priests. Science says that she has a mental sickness but Michaela believes that she is being possessed by a demon. What is real or what is a hallucination? Michaela wants to subject herself to the rites of exorcism which may prove to be more than she had bargained for...
Hans-Christian Schmidt's "Requiem" unfolds more like a character-driven dramatization rather than a horror movie. Instead of following the usual horror movie trappings and diverting to fantastical recreations of demons spewing out goo-ish stuff , jumping out and screaming obscenities; "Requiem" is a docile film that keeps its tone quite low-key and very subtle. If you are expecting a movie with lots of scary images, gruesome make up, and strong dialogue then you may be a little disappointed and you should see "The Exorcism of Emily Rose" instead. However, if you are curious as who or what is the real Anneliese Michel then this movie will not disappoint.
A lot of the film's theme lies on the fabric of Michaela's potential insanity and a war of divine faith. Much of the lead character's belief lies on the fact that medicine cannot remedy her suffering and that relief may be found in the comfort of God's hand and the priests who try to aid in easing her suffering. The film's script manage to raise questions about faith, religious belief and medical science without becoming preachy and passing judgment. Her experiences present a question between the three notions of possession, epilepsy and mental imbalance, the director wisely asks the right questions and brings forth an area for bafflement.
"Requiem" takes a more focused approach on its humanism rather than subjecting the audience to elaborate `jump' scares and tricks with imagery. The script shows that Michaela is suffering, we witness her becoming more and more sickly, upset and towards the end, she becomes a more malevolent. The atmosphere gives off an aura that the film is a factual event and most of the demonic haunting is exhibited with Michaela's reactions and not on violent imagery. The screenplay also draws out the characters of Michaela's parents that gives them a feeling of helplessness; they are torn on what they have to do. Even the priests are given a somewhat of a contrasting characterization as one is able to embrace the possibility of a demonic possession as presented by father Martin (Jens Hurzor) and one who may be terrified to the point of denial in father Gerhard's persona (Walter Schmilinger). The film takes on a more relaxed approach and keeps its focus on Michaela and the situation that torments her. It is none the less unnerving as we see her deteriorating state of being.
I know it is difficult to portray a film supposedly full of factual events but director Schmid adapts the material very well; it also helps when the lead actress is as talented as Sandra Huller. Huller plays her role very well, with a restrained craft that will still bring some chills in your spine. Michaela believes she is being oppressed by evil spirits and the actress does a terrific job with the script. Huller would only do this when the she sees fit, after all, an oppressed-possessed individual would try to hide this fact as much as they could until it spirals out of their control. Huller plays her character with this understanding which makes it very powerful. Michaela is given a depth based on a controlled, awesome, innumerable mixture of emotions and sensations. It also brings questions as to what provoked the experiences; sexual awakening and modernization, stress from college, not taking her medicine or maybe all of the above?
"Requiem" is a film stripped down and is raw from any easy resolution to the questions. I liked the idea that the direction sidestepped the trappings of a horror movie but instead manages to bring the characters out in a compelling dramatization. Instead of invoking fear from stylized special effects and dumb jump scares, the film brings a persuasive feeling of dread by bringing forth its humanity. It makes one wonder if Michaela is indeed insane or just sick with epilepsy...or is it indeed ethereal? The doctor who tended to the real Anneliese Michel was recorded as saying: "there is no injection against the devil, Anneliese".
Director Schmid manages to ask the right questions without spoon-feeding his own conclusions to his viewers. It is easily one of the best films that have tackled the subject matter of demonic possession and exorcism. "Requiem" feels very authentic to a truthful story and there is nothing more unnerving than a horror movie based on factual events. The performance of Huller (who won best actress for this film) is worth the price of the dvd; she brings you straight into the psyche of Michaela that is very creepy but at the same time, so honest and sincere in simplicity. "Requiem" is a tumultuous journey with a young woman who just wants to live her life, stay true to her beliefs...demons or not.
Highly Recommended! [4+ Stars]
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This is an excellent film putting a totally different spin on the events also covered in the film The Exorcism of Emily Rose. This film is significantly more boring though. My four star grade is to reflect how excellent the film was. But, please do not be misled...this is a slow paced film that requires patience to see the plot unravel. Recommended if you have an interest in this sort of thing.
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We're not in Hollywood anymore!
Added 4/13/2009
What a quirky movie yet there was something compelling about it that made me keep watching. The perpetually overcast scenery and the not frigid but still chilly weather threw a blanket of menace over everything. As much as I hate watching movies with subtitles I couldn't get myself to stop watching. Even though I'd read the blurb about the movie on IFC I still kept waiting for a logical explanation for the main character's suffering OTHER than possession. I KNOW! What a Hollywood theme right? But the Germans made a very non-Hollywood film. It's quiet and understated. There aren't any bizarre special effects with blood spurting everywhere. Conversations are quiet, subdued even when the devil is speaking. LOL I have no idea if the actors are well known in Germany but none of them were even vaguely familiar looking to me which also added to the feeling of realness about this movie. The ending caught me off guard although it probably shouldn't have.
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Not what I anticipated...
Added 2/6/2009
Although the actors' portrayals in this film were well done, the film itself failed to strike a chord in me entirely. I believe that the actual topic of the film was tip-toed around as it took too long to get to the actual story. There was too much socializing and partying going on which abaded the true topic. The ending was extremely poor as it simply states the official outcome of the film's premise rather than take you through the meat of the process which is what would've been the real point to the film. If you really want to see this film I would not recommend purchasing it but rather renting it, if possible. Good day! :)
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A mixed bag
Added 6/8/2008
"Requiem" is a drama, not a horror film. Both the illustration on the cover of the DVD and the price of the movie itself are misleading. This is not very frightening and does not warrant the amount of money one has to pay for it.
That said, as a psychological drama of the most disturbing kind, it works well. Sandra Huller gives an amazing, understated performance as Michaela Klingler (aka Anneliese Michel), a German college student with a history of epilepsy and other psychological problems who makes a bid for fulfilling her potential by going away to college at the age of 21. Her family is ultra-Catholic (the director has lots of fun pointing his finger at this for her horrid fate, as any mainstream independent filmmaker must for the sake of political correctness), and her mother is a cold, repressed woman who generally disapproves of everything she does.
Burghart Klaubner gives a touching performance as the girl's warm and supportive father, who only wants to see his daughter succeed rather than suffer. He covers for her when she has spontaneous fits or acts strangely for the sake of her overall happiness. He does everything he can to keep her from the snares of her mother's iron grip. Ultimately, however, all of this fails.
Anna Blomeier plays Hanna Imhof, another college student who attended high school with Michaela. Another supportive figure, she slowly watches her friend descend into the worst kind of madness: refusal to eat, hallucinations (are they?) of demonic influeneces preventing her from prayer, etc. One might say she is the "secular hero".
Both priests as portrayed, of course, as misguided and generally unhelpful, though the elder of the two tells Micheala appropriately to see a psychologist right away. Here the film becomes a bit confusing, as though Schmidt couldn't decide what he wanted to say, though it becomes more clear at the end: she is taking her medicine for epilepsy, but she is still not getting better. The slightest things cause her horrible anxiety and she is unable to touch a crucifix. In one one scene, when is attempting to pray, a rosary spontaneously falls from the table. What is that supposed to mean? Every scene suggests that she is mentally disturbed and nothing more up till then.
This is difficult to watch and makes one reflect on the general cruelty of Anneliese Michel's fate, possessed or insane. We see different viewpoints from different characters, but in her last conversation with Hanna, the makers of the film seem to be implying that Anneliese was a girl who was narcissistic and disturbed, and wanted to "go out in style" (by starving herself to death, eating bugs, inflicting wounds, etc?) like
the saint she idolized, who died a martyr. In other words, she wanted to die and life was too much on her, but she wanted to be special in a spiritual way. If I were one of the parents of Anneliese Michel I would find that very disrespectful. Though the director makes his case well I doubt that was the case.
Also, the film just sort of ends without showing the exorcism or anythinf of the kind. I couldn't believe it. This is most certainly worth watching for the amalgam of possibilities it presents, but I would get it used and be aware that this is not a horror movie, but minimalist psychological drama.
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