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The Life Of Emile Zola (1937)
Released By: MGM Home Entertainment   Rating: Not Rated   In Theaters: N/A
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Studio: MGM Home Entertainment
Genre: Drama
MPAA Rating: Not Rated
Director: William Dieterle
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Donald Crisp, Erin O'Brien-Moore, Gale Sondergaard, Gloria Holden, Joseph Schildkraut, Paul Muni
Published ID: 726
UPC: 012569692527, 883929002504,
Plot: The second of Paul Muni's biographical films for Warner Bros., the Oscar-winning The Life of Emile Zola is by far the best, even allowing for the dramatic license taken with the material. When first we meet French novelist and essayist Zola, he is starving in a Parisian garret with his painter friend, Paul Cezanne. Each time Zola attempts to write the truth, he is stymied by governmental censors. Still, he is able to achieve both fame and fortune with the publication of Nana, an unardorned and best-selling tale of a prostitute (whom we can safely assume was not quite as likeable or attractive as Erin O'Brien-Moore, who plays the novel's role model). The lion's share of the film is devoted to Zola's attempts to clear the reputation of Army captain Alfred Dreyfus (Joseph Schildkraut), who has been framed on a charge of treason by his superiors and condemned to Devil's Island. Publishing his famous manifesto J'accuse, Zola leaves himself wide open for public condemnation and criminal prosecution. Though he delivers a brilliant self-defense in court, Zola is found guilty. Forced to flee to England, he continues railing against the unjust, corrupt military establishment, eventually forcing a retrial and exoneration of Dreyfus. Alas, Zola is killed in a freak accident at home before he can meet the liberated Dreyfus. At his funeral, Emile Zola is eulogized by Anatole France (Morris Carnovsky), who refers to the fallen crusader as a moment of the conscience of man. For various reasons -- some dramatic, some legal -- the actual facts of L'affaire Dreyfus are altered by the Norman Reilly Raine/Heinz Herald/Geza Herczeg screenplay. The fact that Dreyfus was railroaded because he was Jewish is obscured; in fact, except for a very brief visual reference, the word Jew is never mentioned. Only those villains whose names were a matter of public record (Major Dort, Major Esterhazy) are specifically identified. Others are referred to as the Chief of Staff, the Minister of War, etc. to avoid lawsuits from their descendants (remember that the events depicted in the film, most of which take place between 1894 and 1902, were still within living memory in 1937). As for Dreyfus himself, he was not freed and restored to rank in 1902, the year of Zola's death, but in 1906-after being found guilty again in an 1899 retrial (Dreyfus died in 1935, outliving everyone else involved in the case). These historical gaffes can be forgiven in the light of the film's overall message: that a single small, clear voice can fight City Hall. If for nothing else, The Life of Emile Zola deserves classic status due to Paul Muni's towering performance, most notably in the unforgettable summation scene: By all that I have done for France, by my works -- by all that I have written, I swear to you that Dreyfus is innocent. May all that melt away -- may my name be forgotten, if Dreyfus is not innocent. He is innocent. ~ Hal Erickson, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Vive la France!
Added 10/27/2009

If you don't know who Emile Zola is, you should! See this movie and learn! And Paul Muni never fails to deliver! A wonderful movie!
0 out of 0 people found this helpful.
Worlds collide!
Added 9/1/2009

William Dieterle ( who also directed the cult movie "The Devil and Daniel Webster" ) translated to the screen the life of this emblematic French writer, the great author of the Naturalism genre.

Along his life he portrayed and pictured like any other of his contemporaries, the dramatic and multiple social injustices of a society who still had not recovered from the several ethic injures of the bloody consequences of 1789.

The Dreyfus affair was for Zola, vehicle for him to demonstrate his social sensibility around this resonant event that shocked the whole civilized world by then and now.

The reckless boldness through which Dreyfus was accused in order to preserve the integrity and the status quo's high command's official institution about a visible case of internal espionage aroused a scandal that overcame all the imaginable boundaries. It was a true slap on the face of the legality corpus. The arduous defense assumed by Zola is the central nerve of this memorable film.

Paul Muni -one of my twenty greatest American actors ever- is overwhelming in this role as well as the rest of the cast. The excellent recreation of a shameful true life drama!

0 out of 0 people found this helpful.
"Truth is marching on and will not be stopped"
Added 6/11/2007

I was amazed at the power of this "old" movie. Made in 1937, in black and white, obviously, and acted in the over-the-top style that was in vogue in those days (pre-Actors Studio). Yet, dated though some of the aspects of the film are, the message is timeless and certainly is apt for this moment. I won't retell the story, as others here have done a good job and many readers will already know the events on which the film is based. It's certainly worth seeing and pondering how the message applies to today. Zola said, in the end, "Truth is marching on and will not be stopped." Let's all drink to that!
1 out of 1 people found this helpful.
May be the first "accidental" death of a government gad fly?
Added 2/27/2007

What struck me was the closeness of the death of Emile Zola to
the release of Dreyfus. In more modern terms this fellow Zola reminds one of Upton Sinclair in America who was called a muck raker
and hated by many companies for his exposing horrible practices in the meat packing industry.
For showing the corrupt underbelly of French society Zola was loved by the poor and downtrodden and hated by an upper class of extreme wealth and influence.
The existence of a widening class structure in America would say that we need men like Zola to be appreciated as they were in 1937.

3 out of 4 people found this helpful.
Made me want to read his books.
Added 6/24/2005

This is a superbly acted, fantastically written, and impressively staged production about an enormous humanitarian subject. Look far and wide and there are not many films that deal with justice and human callousness with quite as much conviction as this excellent film. Paul Muni, as usual, is spectacular. This, along with "I was a Fugitive from a Chain Gang", are MUST SEE films that will reinvigorate your faith in the validity of American cinema!
4 out of 4 people found this helpful.
Vive la France!
Added 10/27/2009

If you don't know who Emile Zola is, you should! See this movie and learn! And Paul Muni never fails to deliver! A wonderful movie!
0 out of 0 people found this helpful.
Worlds collide!
Added 9/1/2009

William Dieterle ( who also directed the cult movie "The Devil and Daniel Webster" ) translated to the screen the life of this emblematic French writer, the great author of the Naturalism genre.

Along his life he portrayed and pictured like any other of his contemporaries, the dramatic and multiple social injustices of a society who still had not recovered from the several ethic injures of the bloody consequences of 1789.

The Dreyfus affair was for Zola, vehicle for him to demonstrate his social sensibility around this resonant event that shocked the whole civilized world by then and now.

The reckless boldness through which Dreyfus was accused in order to preserve the integrity and the status quo's high command's official institution about a visible case of internal espionage aroused a scandal that overcame all the imaginable boundaries. It was a true slap on the face of the legality corpus. The arduous defense assumed by Zola is the central nerve of this memorable film.

Paul Muni -one of my twenty greatest American actors ever- is overwhelming in this role as well as the rest of the cast. The excellent recreation of a shameful true life drama!

0 out of 0 people found this helpful.
"Truth is marching on and will not be stopped"
Added 6/11/2007

I was amazed at the power of this "old" movie. Made in 1937, in black and white, obviously, and acted in the over-the-top style that was in vogue in those days (pre-Actors Studio). Yet, dated though some of the aspects of the film are, the message is timeless and certainly is apt for this moment. I won't retell the story, as others here have done a good job and many readers will already know the events on which the film is based. It's certainly worth seeing and pondering how the message applies to today. Zola said, in the end, "Truth is marching on and will not be stopped." Let's all drink to that!
1 out of 1 people found this helpful.
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