The serious part is to show Paul Newman faking paralysis in order to get to a rest home instead of prison as a means of making an escape. While very unlikely in itself, he plays it seriously. Also played seriously is the attempt by Linda Fiorentino to unmask the charade. The chemistry between the two actors is excellent, both here, and throughout the entire movie, and that's what gets it three stars. Paul Newman shows he's still very much worth seeing, and I hope they give him a few more higher quality films before he packs it in.

But while I liked the interraction between the two main characters, unfortunately everything else is, well, fluff. Dermot Mulroney has a completely thankless role as the husband who feels he's losing his wife to the much older Newman. Since he isn't really a bad person, I don't like that the movie makes him do something to make us dislike him by the end.

But the part I disliked the most was the crime caper they go on. Newman once again shows marvelous talent as an actor as they go on it, but it's the heist they do that doesn't convinvce me for a minute that it would work. Nor does the ending when confronted by the police, nor does the very final few minutes. With the recent quality filming of Elmore Leonard novels, the bar has risen in the way movies need to portray the criminal world.

Linda Fiorentino has proven she can do great work, and Paul Newman is a national treasure. Let's give him the respect he deserves with a few more quality roles.

Carol is a sexy and smart woman. (This is the first of Fiorentino's movies I remember seeing. Sh'es incredibly attractive, and will have to look for her in other movies.) One of Carol's causes for displeasure is her husband, Wayne, played by infrequent star Dermot Mulroney.

The plot plays out out very well, though the beginning stumbles a bit. The acting isn't great, though the charismatic and smooth Newman mostly carries the film. While the story at times is inplausible, it's a very watchable and light movie.

What I really enjoyed was the aftermath: while the bank caper movie is a bit formula, this incarnation is twisted with life-purpose and satisfaction crisis storylines, and an interesting resolution. The story comes off as a spirise to those who'd take it as cookie-cutter for the genre.

The cameara work is great, and the production quality is outstanding. The audio is a little muddy, but fits its genere very well.