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Pat Garrett And Billy The Kid (1973)
Released By: MGM Home Entertainment   Rating: R   In Theaters: N/A
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Studio: MGM Home Entertainment
Genre: Western
MPAA Rating: R
Director: Sam Peckinpah
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Bob Dylan, Harry Dean Stanton, Jack Elam, James Coburn, Kris Kristofferson, Slim Pickens
Published ID: 781
UPC: 012569516526,
Plot: A former friend betrays a legendary outlaw in Sam Peckinpah's final Western. Holed up in Fort Sumner with his gang between cattle rustlings, Billy the Kid (Kris Kristofferson) ignores the advice of comrade-turned-lawman Pat Garrett (James Coburn) to escape to Mexico, and he winds up in jail in Lincoln, New Mexico. After Billy theatrically escapes, inspiring enigmatic Lincoln resident Alias (Bob Dylan) to join him, the governor (Jason Robards Jr.) and cattle baron Chisum (Barry Sullivan) requisition Garrett to form a posse and hunt him down. Rather than flee to Mexico when he can, Billy heads back to Fort Sumner, meeting his final destiny at the hands of his friend Pat, who, two decades later, is forced to face the consequences of his own Faustian pact with progress. With a script by Rudolph Wurlitzer, Peckinpah uses the historical basis of Billy's death to eulogize the West dreamily yet violently as it is desecrated by corrupt capitalists. Both Pat and Billy know that their time is passing, as surely as Garrett's posse knows that they are participating in a legend. Using familiar Western players like Slim Pickens and Katy Jurado, Peckinpah underscores the West's existence as a media myth, and he even appears himself as a coffin maker. Just as the bloodletting of Peckinpah's earlier The Wild Bunch (1969) invoked the Vietnam War, the casting of Kristofferson and Dylan alluded to the chaotic late '60s/early '70s present; the counterculture has little place in a corporate future. Also like The Wild Bunch, Pat Garrett was truncated by its studio; the cuts did nothing to help its box office. Key scenes, particularly the framing story of Garrett's fate, have since been restored to the home-video version. In this director's cut, Pat Garrett and Billy the Kid stands as one of Peckinpah's most beautiful and complex films, killing the Western myth even as he salutes it. ~ Lucia Bozzola, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Pat Garrett and Billy the Kid
Added 11/8/2009

I had heard so much about this movie and love the music that Bob Dylan wrote for it. I thoroughly enjoyed it. Some of my favorite actors were in it, and I've always loved Westerns. But for me personally, the best part was getting to see Bob act and to see the scenes that he wrote the music for.
0 out of 0 people found this helpful.
A genuine masterpiece!
Added 10/24/2009

Pat Garrett's director cut was the last Western of Sam Peckinpah. In certain way, this entry was an honor debt for this unforgettable. To get close to the most famed duel the West reminded.

The implacable prosecution of Garrett behind Billy's traces, the double moral when Billy reminds Garrett was on the other side of the law. The badge marks the difference.

The script depicts the Faustian attitude of Garrett when he decides to join forces with the Governor and entrepreneurs before the imminent changes to come in the far West. They need security for the investments, and so the pact is done. So, Garrett has signed his own sentence's death when he is ambushed in 1909.

The visual metaphor of the kids playing with in the gibbet and finally when the child throws a stone to Garrett remits us to the key sequence in "The wild bunch" , when a childish crowd plays with a scorpion, to emblematize the violent environment. On the other hand, the use of the violence's aesthetic in Peckinpah is now a personal and unsurpassed landmark, so many times imitated but never equaled (Quentin Tarantino has been influenced by Peckinpah, for instance)

James Coburn is over the top as the ruthless Garrett, he lives with astonishing realism every single movement, act or word. He breaths into the personage with such brilliant intensity that it should not surprise us he would be the cynical personage in "Cross of iron" from 1976.

A very detailed and complete portrait of this well known confrontation. Don't miss it.

0 out of 0 people found this helpful.
Knockin' on Heaven's Door
Added 6/16/2009

I bought this mainly because of Dylan's Knockin' on Heaven's Door. Not a bad movie with a great cast of character actors.
0 out of 1 people found this helpful.
Keep the change Bob
Added 6/2/2009

Just a great western flick to watch from time to time... Almost historically accurate... artistic license covers that. Billy the Kid was a little guy, thats why he had to fight well, so Kris is the artistic tangent... other than that, I didn't know Bob Dylan was that old...
0 out of 1 people found this helpful.
pat garret & billy the kid
Added 4/28/2009

I first saw this movie when it came out some thirty years ago. I wanted to share it with my daughter recently who is into Bob Dylan. When I watched it again I was really intrigued by the sound track & scenes. Dylan
was young & funny without trying to be. Kristofferson was cool. A great revisit to a time gone by. Classic film!!

0 out of 1 people found this helpful.
Pat Garrett and Billy the Kid
Added 11/8/2009

I had heard so much about this movie and love the music that Bob Dylan wrote for it. I thoroughly enjoyed it. Some of my favorite actors were in it, and I've always loved Westerns. But for me personally, the best part was getting to see Bob act and to see the scenes that he wrote the music for.
0 out of 0 people found this helpful.
A genuine masterpiece!
Added 10/24/2009

Pat Garrett's director cut was the last Western of Sam Peckinpah. In certain way, this entry was an honor debt for this unforgettable. To get close to the most famed duel the West reminded.

The implacable prosecution of Garrett behind Billy's traces, the double moral when Billy reminds Garrett was on the other side of the law. The badge marks the difference.

The script depicts the Faustian attitude of Garrett when he decides to join forces with the Governor and entrepreneurs before the imminent changes to come in the far West. They need security for the investments, and so the pact is done. So, Garrett has signed his own sentence's death when he is ambushed in 1909.

The visual metaphor of the kids playing with in the gibbet and finally when the child throws a stone to Garrett remits us to the key sequence in "The wild bunch" , when a childish crowd plays with a scorpion, to emblematize the violent environment. On the other hand, the use of the violence's aesthetic in Peckinpah is now a personal and unsurpassed landmark, so many times imitated but never equaled (Quentin Tarantino has been influenced by Peckinpah, for instance)

James Coburn is over the top as the ruthless Garrett, he lives with astonishing realism every single movement, act or word. He breaths into the personage with such brilliant intensity that it should not surprise us he would be the cynical personage in "Cross of iron" from 1976.

A very detailed and complete portrait of this well known confrontation. Don't miss it.

0 out of 0 people found this helpful.
Knockin' on Heaven's Door
Added 6/16/2009

I bought this mainly because of Dylan's Knockin' on Heaven's Door. Not a bad movie with a great cast of character actors.
0 out of 1 people found this helpful.
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