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Shaft (1971)
Released By: MGM Home Entertainment   Rating: R   In Theaters: N/A
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Studio: MGM Home Entertainment
Genre: Action-Adventure
MPAA Rating: R
Director: Gordon Parks, Jr.
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Charles Cioffi, Christopher St. John, Gwenn Mitchell, Lawrence Pressman, Moses Gunn, Richard Roundtree
Published ID: 782
UPC: 012569505124,
Plot: Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, the cat who won't cop out, when there's danger all about in Gordon Parks' seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can't help him and leaves, only to just miss being waylaid by two of Bumpy's strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he's always kept away from his business, has been kidnapped. There's been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft's onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend's comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean -- Bumpy knows that it's the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they're holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn't know why they're there, but he does know that if fighting breaks out between Bumpy's men and the Mafia, it's going to look like a race war, and the whole city could erupt. Shaft doesn't like the way he's been manipulated, but he sees Androzzi's point -- he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he's wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben's friends in an armed assault on the building where they're holed up. ~ Bruce Eder, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Kind of a hoot with a good soundtrack
Added 9/17/2009

I loved the look of 1971 New York that director Gordon Parks got in this retro PI tale. Gritty, dark, dirty, trash-strewn streets, cheesy interiors: they're all here. Of course, Isaac Hayes' soundtrack is fab, though the plot is a cliche and the acting, overall, is meh...This was hot stuff because it showed blacks in a different light at the time. Today, it's a time capsule of an era long gone.
0 out of 0 people found this helpful.
The Original, & still the best
Added 4/2/2009

What can I say about this movie that hasn't already been said & in a far better way than I could. I'll just say this: It's SHAFT, man, the Original, so BUY IT!






(& the ending's hilarious!)

0 out of 0 people found this helpful.
The Black Bogie! Too Bad About the DVD!
Added 9/13/2008

Now this movie is one baad muther-shut-your mouth! I thought this was an excellent movie that tried to portray the life of a private detective in the Harlem of the early 70's in a gritty and hence more realistic manner. As a result, this movie is certainly dated and unmistakenably of that time and place as witnessed by the lingo and slang used liberally throughout and yet I found it still very enjoyable to watch even today.

This cat Shaft reminded me a lot of Humphrey Bogart's character in the "Maltese Falcon" which I also thoroughly enjoyed but one thing that this movie has which is lacking in that great film noir classic is an excellent score. Rarely has a film been identified or even been associated so much with a score that one can't think of one without the other. Sure there have been great scores that heightened the enjoyment of the films around that time like those for "The Graduate" and "Easy Rider" but those were made almost exclusively from pop songs that were already written but here we have a great score that was written just for the movie that became a pop hit and a classic even today that still gets airtime on classic rock radio stations throughout the world. How this didn't win the Oscar for best score that year escapes me and only Curtis Mayfield's work on "Super Fly" comes close in terms of overall quality of scoring.

Although there are just a couple of special feature documentaries on this dvd they are quite enjoyable as we get to see the director doing his thing and for me the better one was where we get to see the late great Isaac Hayes working with his band on the score.

The sad thing about this dvd is the shocking picture and sound quality. Both are extremely poor and do not do this film any justice whatsoever. Here's hoping that a Blu-ray version surfaces soon with a significantly restored picture quality and a similarly restored sound quality with Dolby Digital 5.1 Surround or better options just as they did with "Dirty Harry". This movie is also a prime candidate for a new Director's Cut version if Gordon Parks is still around but tragically with his death two years ago a great opportunity was missed.

Great movie but terrible dvd version and perhaps you should wait for the Blu-Ray version that comes with significantly remastered and restored picture and especially sound quality with surround sound options which is the only way to truly do justice to an excellent score and is a fitting way to remember the late, great Isaac Hayes and Gordon Parks.

2 out of 2 people found this helpful.
SHAFT
Added 2/15/2008

They say this cat Shaft is a BAD MOTHER........I can dig it, and you will to....
0 out of 0 people found this helpful.
Cool Music
Added 2/6/2008

Shaft DVD

As far as I know Shaft broke new ground as a movie starring a black man in 1971. Shaft was the perfect example of a rogue cop, taking orders from no one and tracking down the crooks no matter where they hid in the city.

Recommended for fans of Richard Roundtree and quality jazz.

Gunner February, 2008

21 out of 21 people found this helpful.
Kind of a hoot with a good soundtrack
Added 9/17/2009

I loved the look of 1971 New York that director Gordon Parks got in this retro PI tale. Gritty, dark, dirty, trash-strewn streets, cheesy interiors: they're all here. Of course, Isaac Hayes' soundtrack is fab, though the plot is a cliche and the acting, overall, is meh...This was hot stuff because it showed blacks in a different light at the time. Today, it's a time capsule of an era long gone.
0 out of 0 people found this helpful.
The Original, & still the best
Added 4/2/2009

What can I say about this movie that hasn't already been said & in a far better way than I could. I'll just say this: It's SHAFT, man, the Original, so BUY IT!






(& the ending's hilarious!)

0 out of 0 people found this helpful.
The Black Bogie! Too Bad About the DVD!
Added 9/13/2008

Now this movie is one baad muther-shut-your mouth! I thought this was an excellent movie that tried to portray the life of a private detective in the Harlem of the early 70's in a gritty and hence more realistic manner. As a result, this movie is certainly dated and unmistakenably of that time and place as witnessed by the lingo and slang used liberally throughout and yet I found it still very enjoyable to watch even today.

This cat Shaft reminded me a lot of Humphrey Bogart's character in the "Maltese Falcon" which I also thoroughly enjoyed but one thing that this movie has which is lacking in that great film noir classic is an excellent score. Rarely has a film been identified or even been associated so much with a score that one can't think of one without the other. Sure there have been great scores that heightened the enjoyment of the films around that time like those for "The Graduate" and "Easy Rider" but those were made almost exclusively from pop songs that were already written but here we have a great score that was written just for the movie that became a pop hit and a classic even today that still gets airtime on classic rock radio stations throughout the world. How this didn't win the Oscar for best score that year escapes me and only Curtis Mayfield's work on "Super Fly" comes close in terms of overall quality of scoring.

Although there are just a couple of special feature documentaries on this dvd they are quite enjoyable as we get to see the director doing his thing and for me the better one was where we get to see the late great Isaac Hayes working with his band on the score.

The sad thing about this dvd is the shocking picture and sound quality. Both are extremely poor and do not do this film any justice whatsoever. Here's hoping that a Blu-ray version surfaces soon with a significantly restored picture quality and a similarly restored sound quality with Dolby Digital 5.1 Surround or better options just as they did with "Dirty Harry". This movie is also a prime candidate for a new Director's Cut version if Gordon Parks is still around but tragically with his death two years ago a great opportunity was missed.

Great movie but terrible dvd version and perhaps you should wait for the Blu-Ray version that comes with significantly remastered and restored picture and especially sound quality with surround sound options which is the only way to truly do justice to an excellent score and is a fitting way to remember the late, great Isaac Hayes and Gordon Parks.

2 out of 2 people found this helpful.
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