their biggest problem was a broken television . . . until
Added 9/11/2009
With some remarkable similarities to the Kennedy assassination, Suddenly (1954) is a tense, gripping drama, where an ordinary family becomes involved in a plot to assassinate the President of the United States. Frank Sinatra is John Baron, the leader of a group criminals, that have invaded the Benson residence, because it has an ideal view of the train station, from where Baron plans to shoot the President, when his train stops in the small town of Suddenly.
It was an ordinary Saturday in the Benson household. Peter 'Pop' Benson (James Gleason) and his noisy grandson 'Pidge' (Kim Charney) were trying to repair a broken television, then three men arrive posing as secret service agents. When genuine law enforcement drops by the house, one man is killed and local sheriff Tod Shaw (Sterling Hayden)is wounded. Pidge's mother Ellen (Nancy Gates) is distraught, as the assassins set up a tripod mounted rifle on a table, aimed out a window at the train station, and Baron details just how he plans to kill the President.
Sinatra is quite riveting as an arrogant, egomaniacal, ex-military type with a chip on his shoulder. There's plenty of emotion and drama as an overconfident Baron, expounds about what he is going to do and why. It's a pretty good plan, that just isn't executed very well. Baron is ruthless, repeatedly threatening to shoot the child, but fortunately he is not very competent. A real pro, would not have so many people running loose in the house. The situation is out of control, and not at all realistic, but it makes for a fiery and entertaining time, with different characters taking turns pushing Baron's emotional and psychological buttons. The performances by Hayden, Gates, and Gleason, are edgy, and spot on for their roles. For what it is, there are few wasted moments in this taut 76 minute thriller, that is highly recommended to Sinatra fans.
0 out of 0 people found this helpful.
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Shortly after his celebrated turn in "From Here to Eternity," Sinatra was cast as a cold-blooded killer in Lewis Allen's gritty thriller "Suddenly." Anticipating the Kennedy assassination by several years--Lee Harvey Oswald reportedly viewed it days before he killed JFK--"Suddenly" has the look and feel of a "B" movie quickie, but Sinatra's intensity blazes off the screen. Still thin as a reed, the actor excels as a human time bomb, while Hayden's Sheriff provides a decent, steady counterpoint. Only debit: that annoying little boy- but just focus on Ol' Blue Eyes.
2 out of 2 people found this helpful.
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Entertaining rubbish
Added 7/2/2006
Predictable ending to a typical post-war script. They are hitting you over the head without any subtlety. The theme is that pacifism doesn't work, sort of like preaching to the converted, since it is a POST-war film, not a pre-war film.
A war widow spurns the advances of the town sheriff and doesn't allow her 8 year old son to play with guns. There's your pacifist, the war widow. By the end, she's ready to kill the bad guy herself. As I said, there's no subtlety to the script. It is obvious, unoriginal, completely predictable, and therefore juvenile and uncreative.
Sinatra's acting is no big deal. It's laughable the way people rave about it. It just shows that any silly old nonsense can impress people. He's not terrible. He's just a non-actor doing a more or less decent enough job in a silly script. You can't compare his acting to his singing. He was an exceptional stylist as a singer, and a hack as an actor, as you should be able to see in this movie. To compare his acting to a singer, you might say he is the Freddy Cannon of actors. You remember the guy who sang that silly song Palisades Park. Maybe you don't. You shouldn't. It's nothing, like Sinatra's acting.
This film is nothing but stereotypes. I'd be ashamed of it if I had directed it. There are no real people in it. There are no believable lines in it. It's just one of those stupid stories of the early fifties to make a point, that Americans are this or that way, that we gotta shoot some bad guys. Okay, whatever. Sure we have to shoot some bad guys. You don't need to convince me. I'm not a pacifist. But I know a dopy script when I see one.
I'm giving it three stars for entertainment value. Even though the movie is dopy and completely predictable, it's kind of fun to watch. That's worth a few stars. The writing gets an F, the acting gets a D, but the entertainment value gets a C plus or B minus, and it isn't hard to sit through.
There's one part that is so stupid it cracked me up. Sinatra sends one of his bad guy assistants outside to check things out, when what he really wants is to keep his presence secret. So he sends out one of his bad guys to become very visible. Hahaha. And of course the bad guy is spotted and blows Sinatra's cover. That is the funniest part of this dopy movie.
1 out of 7 people found this helpful.
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Not for Suddenly Susans.
Added 5/13/2006
A long, withheld movie of historical and musicological interest,that has taken on increasing interest. Why? Frank Sinatra, the star, the Voice, withdrew the film following the assassination of JFK, because of the mob ties. Nevertheless, this B noir movie is better than you expect.Among the supporting cast lies a real WWII hero,Sterling Hayden, who gives a restrained performance, playing the sheriff in the small town with the responsibility to see that the president's train gets through without incident. However, Frank Sinatra and his gang of co-conspirators plan to remove the responsibility, by using his girlfriend's lofty house above the railroad tracks.
No one since the first screening has given this film digital enhancement in any way, which makes it play out like you'd see it in your town theatre. Although this begs for a modern re-doing, it stands on its own as a look at Sinatra the actor, playing a creepy thug with a chip on his shoulders. He plays it very well, as if the producer told him he would be getting back at all his detractors. Sinatra pulls it off convincingly, making everyone uncomfortable in his presence, as if he's going to explode like a bomb with a short fuse,emotionally threatening and leering at the same time.And he's not "Maggio" here either, the same punk "From Here to Eternity." Even Sterling Hayden admires him as he ranges like a captive lion in confinement. Psychotic, unbalanced and self-assured around his weapons or just handling them, it is one of Sinatra's most realistic portrayals. Just when the script slows, a glare or scowl from Sinatra and your pulse takes off. Sinatra made a lot of toss-off films, this is not one of them.For him, the part was probably like himself between rained-out gigs, holed up in Palookaville, as Gay Talese indicated in his short story,"Sinatra Has A Cold." If it is ever re-made, and I doubt that it will be, it is one film that is nothing without Frank.
4 out of 4 people found this helpful.
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Meat 'n' Potatoes with Tommy Guns
Added 1/31/2006
This is a great slice of Americana, a true "Period Piece." Sinatra was a competent actor and probably could have paid the bills this way even if he hadn't been a remarkably talented singer. It's not everybody who can pull off a menacing tough-guy when he weighs 118 soaking wet. This film presents itself in stark tones both visually and thematically. Patriotism, courage, honor, sacrifice. The words necessary to make that into a sentence would only sully the higher meaning; and that's the feeling you get as you watch this film. It is sparse, but self-assured. Think of it as the lost episode of "The Andy Griffith Show."
2 out of 2 people found this helpful.
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their biggest problem was a broken television . . . until
Added 9/11/2009
With some remarkable similarities to the Kennedy assassination, Suddenly (1954) is a tense, gripping drama, where an ordinary family becomes involved in a plot to assassinate the President of the United States. Frank Sinatra is John Baron, the leader of a group criminals, that have invaded the Benson residence, because it has an ideal view of the train station, from where Baron plans to shoot the President, when his train stops in the small town of Suddenly.
It was an ordinary Saturday in the Benson household. Peter 'Pop' Benson (James Gleason) and his noisy grandson 'Pidge' (Kim Charney) were trying to repair a broken television, then three men arrive posing as secret service agents. When genuine law enforcement drops by the house, one man is killed and local sheriff Tod Shaw (Sterling Hayden)is wounded. Pidge's mother Ellen (Nancy Gates) is distraught, as the assassins set up a tripod mounted rifle on a table, aimed out a window at the train station, and Baron details just how he plans to kill the President.
Sinatra is quite riveting as an arrogant, egomaniacal, ex-military type with a chip on his shoulder. There's plenty of emotion and drama as an overconfident Baron, expounds about what he is going to do and why. It's a pretty good plan, that just isn't executed very well. Baron is ruthless, repeatedly threatening to shoot the child, but fortunately he is not very competent. A real pro, would not have so many people running loose in the house. The situation is out of control, and not at all realistic, but it makes for a fiery and entertaining time, with different characters taking turns pushing Baron's emotional and psychological buttons. The performances by Hayden, Gates, and Gleason, are edgy, and spot on for their roles. For what it is, there are few wasted moments in this taut 76 minute thriller, that is highly recommended to Sinatra fans.
0 out of 0 people found this helpful.
|
Shortly after his celebrated turn in "From Here to Eternity," Sinatra was cast as a cold-blooded killer in Lewis Allen's gritty thriller "Suddenly." Anticipating the Kennedy assassination by several years--Lee Harvey Oswald reportedly viewed it days before he killed JFK--"Suddenly" has the look and feel of a "B" movie quickie, but Sinatra's intensity blazes off the screen. Still thin as a reed, the actor excels as a human time bomb, while Hayden's Sheriff provides a decent, steady counterpoint. Only debit: that annoying little boy- but just focus on Ol' Blue Eyes.
2 out of 2 people found this helpful.
|
Entertaining rubbish
Added 7/2/2006
Predictable ending to a typical post-war script. They are hitting you over the head without any subtlety. The theme is that pacifism doesn't work, sort of like preaching to the converted, since it is a POST-war film, not a pre-war film.
A war widow spurns the advances of the town sheriff and doesn't allow her 8 year old son to play with guns. There's your pacifist, the war widow. By the end, she's ready to kill the bad guy herself. As I said, there's no subtlety to the script. It is obvious, unoriginal, completely predictable, and therefore juvenile and uncreative.
Sinatra's acting is no big deal. It's laughable the way people rave about it. It just shows that any silly old nonsense can impress people. He's not terrible. He's just a non-actor doing a more or less decent enough job in a silly script. You can't compare his acting to his singing. He was an exceptional stylist as a singer, and a hack as an actor, as you should be able to see in this movie. To compare his acting to a singer, you might say he is the Freddy Cannon of actors. You remember the guy who sang that silly song Palisades Park. Maybe you don't. You shouldn't. It's nothing, like Sinatra's acting.
This film is nothing but stereotypes. I'd be ashamed of it if I had directed it. There are no real people in it. There are no believable lines in it. It's just one of those stupid stories of the early fifties to make a point, that Americans are this or that way, that we gotta shoot some bad guys. Okay, whatever. Sure we have to shoot some bad guys. You don't need to convince me. I'm not a pacifist. But I know a dopy script when I see one.
I'm giving it three stars for entertainment value. Even though the movie is dopy and completely predictable, it's kind of fun to watch. That's worth a few stars. The writing gets an F, the acting gets a D, but the entertainment value gets a C plus or B minus, and it isn't hard to sit through.
There's one part that is so stupid it cracked me up. Sinatra sends one of his bad guy assistants outside to check things out, when what he really wants is to keep his presence secret. So he sends out one of his bad guys to become very visible. Hahaha. And of course the bad guy is spotted and blows Sinatra's cover. That is the funniest part of this dopy movie.
1 out of 7 people found this helpful.
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