You got catfights, the "hot box," whippings, food fights, electric shocks, ...
Added 9/25/2007
At times, you don't know exactly how silly this is supposed to be, and the whole film has a tone of naivety in spite of its run of sex and violence (with drug addiction thrown in for good measure). The plot couldn't be more simple: a group of women in prison, led by the resourceful Collier (top-billed Judy Brown), plan an escape. Inside snitch Grear (Pam Grier in her first speaking film role) slips information back and forth to the guards and the evil warden, Ms. Dietrich (a hilarious Christiane Schmidtmer, best remembered for The Giant Spider Invasion), in order to get smack for her lesbian lover cellmate. Guards torment and molest prisoners. Prisoners get naked (though not as much as you'd expect for this genre). One evil head guard, Lucian (Kathryn Lodern, the quasi-Bette Davis villainess from Foxy Brown) tortures bad girls by tying them to tables and hanging snakes over them. With the aid of guard Sid Haig, the girls eventually the girls stage a big, violent breakout which claims a few lives and leads to a riotous, over the top sequence in the middle of the jungle.
The Big Doll House has a small place in exploitation cinema history as it was the one whose success sparked off the women in prison cycle of the nineteen-seventies. Fast paced and surprisingly well acted, The Big Doll House takes itself more seriously than its semi-sequel, The Big Bird Cage, and delivers all the usual thrills you would expect, though a few witty lines and some hysterical monologues (the one about the husband and the poolboy is priceless) indicate the filmmakers already knew how to keep their tongues firmly in cheek. As if that weren't enough, you also get a theme song, "Long Time Woman," performed by Pam Grier herself (and later reused in Jackie Brown).
Big Doll House was shot on less than optimum materials in the Philippines, thanks to the producer wishes of Filipino scholock experts Eddie Romero and John Ashley (Mad Doctor of Blood Island), so this edition is about as good as it's going to look. Sound quality is fine if a bit ragged in spots due to the recording techniques, and the disc is well compressed and contains no noticeable artifacts (wrinkles). Watch it irony-free, and feel the love.
3 out of 4 people found this helpful.
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Ladies in the big house.....
Added 11/4/2006
Anyone who likes women in prison films will appreciate this classic.... a lot of death and gore plus eye candy from the various players.... keep in mind the age that the film was made in and you'll enjoy it....
1 out of 2 people found this helpful.
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Welcome to the Dollhouse
Added 3/16/2006
This film is not one of the best Women in prsion movies I have seen but it is good. Pam Grier does bring a big bad quality to it and it gets really good with mud wrestling! I recommend this film if you are into the sleazy, campy, Women in prison movies like me!
0 out of 3 people found this helpful.
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This set the WIP standard...
Added 3/7/2006
OH YEAH! This is the film which set the standard for the women-in-prison genre. The Big Doll House has everything you could possibly need if you are WIP junkie: cat fights (one even takes place in the mud), group showers, sadistic guards, scantically clothed gun toting babes, lesbianism, torture, and Pam Grier. OH YEAH!
4 out of 5 people found this helpful.
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"Search them...inside and out!"
Added 2/2/2006
In the late 1960s actor/producer John Ashley, initially famous for appearing in a number of JD flicks, hooked up with writer/director/producer Eddie Romero in the Philippines to crank out a handful of inexpensive (i.e.cheapo), somewhat successful horror features. Always an eye towards the frugal, producer/director/writer Roger Corman jumped on the bandwagon in the early 1970s, teaming up with the pair to release his second feature under his newly formed `New World' (later to be known as Concorde) film group, a chicks in chains flick titled The Big Doll House (1971). Directed by Jack Hill (Spider Baby, The Big Bird Cage, Switchblade Sisters), the film features Judith M. Brown (Willie Dynamite), Roberta Collins (Women in Cages, Caged Heat), Brooke Mills (The Student Teachers), Pat Woodell (The Twilight People), and Pam Grier (Coffy, Foxy Brown), in her first major role. Also appearing is Christiane Schmidtmer (The Giant Spider Invasion), Kathryn Loder (Foxy Brown), Jerry Frank (Voodoo Island), and Sid `tall, bald and bearded' Haig (Spider Baby, Diamonds Are Forever).
The film starts out with the arrival of three new inmates at some podunk, backwater, women's prison located in the Philippines, I'm guessing, given the large number of Philippino extras running around. As the women are processed (full body cavity searches for everyone!) we meet Collier (Brown), one of the three prisoners, along with a butcher than butch head guard named Lucian (Loder). After this we get to meet Collier's new cellmates, and they're quite the assortment...there's Grear (Grier), who got tossed in the pokey for hustling and has a real hate/hate complex towards men, Bodine (Woodell), a political prisoner whose boyfriend is a rebel insurgent leader hiding out in the hills, Harrad (Mills), a weird junkie type with pyromaniac tendencies, incarcerated for killing her baby (that's lovely), a blondie named Alcott (Collins), and so on...life is difficult in the prison, as the days are filled with tedium labor either toiling in excessively muddy fields or weaving baskets, while the nights involve entertaining oneself with cockroach races, shankings, snitching on your cellmates, or spending time in Lucian's private chamber of sadomasochistic delights. As the film progresses we witness scenes of torture, a gratuitous and pointless shower sequence, more torture, talk of escape, a food fight, a mysterious figure in a hood overseeing the torture, a catfight that devolves into a fine display of mud wrestling, time outs in the hot box, electroshock therapy, snakes, and fun and games with Harry (Haig) and his new partner Fred (Frank), a pair of entrepreneurs who sell food, smokes, and what not to the prisoners (don't worry if you don't have the cash, as Harry will let you slide for a good groping), fantasizing about all the man hungry flesh locked behind the bars. Tired of being used and abused, a core group of girls plan an elaborate escape attempt, one that involves kidnapping the head mistress named Miss Dietrich (Schmidtmer).
What The Big Doll House lacks in aspects like cohesive story, good acting, and solid characters it more than makes up for in unmitigated sleazy fun. One thing that did surprise me a little was the fact there wasn't as much nekkidness in this movie as I would have expected. Oh, there was a decent amount, most all topless shots, a lot limited to flashes of flesh soon to be obscured by an arm, or someone turning their back towards the camera. This didn't bother me because what there was, was pretty nice (hello Ms. Grier...nice to see you and the twins). What was most notable was the complete absence of any Sapphic action. It was often alluded to in the story, but the film never delivered the goods (I wasn't looking for any hardcore dueling batwing action, but a little face suckage and copious fondling would have been nice). The plot is of the loosey goosey variety, meaning this is more or less an assemblage of sleaze soaked sequences eventually leading up to the big escape attempt. This was pretty much what I was expecting, as director Hill obviously knew enough to avoid attempting the premise of serious, social commentary in an effort to cover up the exploitive nature of the material, as was done in Corman's earlier film The Student Nurses (1970), which tried to conceal its lurid and skeezy nature by touching awkwardly upon a slew of feminine issues. While the characters themselves were of the garden-variety stock one would normally expect in a feature like this, some of the performances did stand out. Pam Grier makes one helluva butch prisoner, and I thought Haig's character just a whole lot of fun. Loder's character of Lucian, the sadistic, snake loving head guard was decent, but I only wish she would have turned it up a notch or two, as there was certainly room to do so...and check out the various native to the region extras in the prison...looks like they were recruited off the streets, having little idea what was actually going on...the last half of this film could have been titled `The Misadventures of Harry and Fred', as the pair play a more prominent role in the story, becoming entangled in the escape attempt as the women use the lure of hot prison lovin' to get the pair of knuckleheads to unwittingly help them in their plans, culminating in a sequence where the two end up in their underwear, forced at gunpoint to engage some naughty fun in the back of their truck in a twisted effort by the escapees to return some of the humiliation and degradation heaped upon them by their once captors. To say anymore would spoil things, so I'll leave it at that...overall, The Big Doll House was generally what I expected, an entertaining film packed with good, wholesome, scuzzy fun. This film was followed up a year later by one titled The Big Bird Cage (1972), which also featured Grier, and was written and directed by Jack Hill.
The fullscreen (1.33:1) picture quality on this DVD release is decent, and the Dolby Digital audio comes through well. As far as special features, there's cast and crew biographies, an original theatrical trailer, and a five minute interview piece between Leonard Maltin and Roger Corman where the two talk about this film like it was some form of high art. Corman also claims he decided to make this film in the Philippines because he thought he could get more for his money, but I think it was really just an effort to keep more dough in his pocket rather than spend what he saved on better production values. Also included are previews for the films Death Race 2000 (1975), Grand Theft Auto (1977), Eat My Dust (1976), Big Bad Mama (1974), and Humanoids from the Deep (1980), all recently re-issued onto DVD by Walt Disney Video, which, within the past year, acquired the release rights to Corman's extensive Concorde-New Horizons catalog of films.
Cookieman108
If I learned anything from this film, it's that if you ever find yourself in prison, avoid, if at all possible, sharing a cell with a junkie.
7 out of 9 people found this helpful.
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You got catfights, the "hot box," whippings, food fights, electric shocks, ...
Added 9/25/2007
At times, you don't know exactly how silly this is supposed to be, and the whole film has a tone of naivety in spite of its run of sex and violence (with drug addiction thrown in for good measure). The plot couldn't be more simple: a group of women in prison, led by the resourceful Collier (top-billed Judy Brown), plan an escape. Inside snitch Grear (Pam Grier in her first speaking film role) slips information back and forth to the guards and the evil warden, Ms. Dietrich (a hilarious Christiane Schmidtmer, best remembered for The Giant Spider Invasion), in order to get smack for her lesbian lover cellmate. Guards torment and molest prisoners. Prisoners get naked (though not as much as you'd expect for this genre). One evil head guard, Lucian (Kathryn Lodern, the quasi-Bette Davis villainess from Foxy Brown) tortures bad girls by tying them to tables and hanging snakes over them. With the aid of guard Sid Haig, the girls eventually the girls stage a big, violent breakout which claims a few lives and leads to a riotous, over the top sequence in the middle of the jungle.
The Big Doll House has a small place in exploitation cinema history as it was the one whose success sparked off the women in prison cycle of the nineteen-seventies. Fast paced and surprisingly well acted, The Big Doll House takes itself more seriously than its semi-sequel, The Big Bird Cage, and delivers all the usual thrills you would expect, though a few witty lines and some hysterical monologues (the one about the husband and the poolboy is priceless) indicate the filmmakers already knew how to keep their tongues firmly in cheek. As if that weren't enough, you also get a theme song, "Long Time Woman," performed by Pam Grier herself (and later reused in Jackie Brown).
Big Doll House was shot on less than optimum materials in the Philippines, thanks to the producer wishes of Filipino scholock experts Eddie Romero and John Ashley (Mad Doctor of Blood Island), so this edition is about as good as it's going to look. Sound quality is fine if a bit ragged in spots due to the recording techniques, and the disc is well compressed and contains no noticeable artifacts (wrinkles). Watch it irony-free, and feel the love.
3 out of 4 people found this helpful.
|
Ladies in the big house.....
Added 11/4/2006
Anyone who likes women in prison films will appreciate this classic.... a lot of death and gore plus eye candy from the various players.... keep in mind the age that the film was made in and you'll enjoy it....
1 out of 2 people found this helpful.
|
Welcome to the Dollhouse
Added 3/16/2006
This film is not one of the best Women in prsion movies I have seen but it is good. Pam Grier does bring a big bad quality to it and it gets really good with mud wrestling! I recommend this film if you are into the sleazy, campy, Women in prison movies like me!
0 out of 3 people found this helpful.
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