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The Long Goodbye (1973)
Released By: MGM Home Entertainment   Rating: N/A   In Theaters: N/A
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Studio: MGM Home Entertainment
Genre: Drama
MPAA Rating: N/A
Director: Robert Altman
Language: English
Official Website: N/A
Theatrical Release: N/A
Home Video Release: N/A
Cast: Elliott Gould, Henry Gibson, Nina Van Pallandt, Sterling Hayden
Published ID: 977241
UPC: 027616879004,
Plot: It's OK with me.... Applying his deconstructive eye to the film noir tradition, Robert Altman updated Raymond Chandler in his 1973 version of Chandler's novel, The Long Goodbye. Smart-aleck, cat-loving private eye Philip Marlowe (Elliott Gould) is certain that his friend Terry Lennox (Jim Bouton) isn't a wife-killer, even after the cops throw Marlowe in jail for not cooperating with their investigation into Lennox's subsequent disappearance. Once he gets out of jail, Marlowe starts to conduct his own search when he discovers that mysterious blonde Eileen Wade (Nina Van Pallandt), who hired him to find her alcoholic novelist husband Roger (Sterling Hayden), lives on the same Malibu street as the absent Lennox and his deceased spouse. As numerous variations on the title song play in unexpected places, Marlowe encounters a shady doctor (Henry Gibson), a bottle-wielding gangster (director Mark Rydell), and a guard aping Barbara Stanwyck (among other stars), before heading to Mexico to stumble onto the truth once and for all. ~ Lucia Bozzola, All Movie Guide
IDDateTimeTitleReviewHelpfulVotesTotalVotes
Leigh Brackett Blew It
Added 11/19/2009

Leigh Brackett also co-wrote the screenplay for the Howard Hawks "Big Sleep" movie, wherein Philip Marlowe repeatedly shot an unarmed Eddie Mars - a departure from the book and out of character for Marlowe. She completed her "Long Goodbye" script five years before her agonizing death, and G. Goodman's review is spot on in every way! Brackett's story and Altman's movie desecrate both the character of Chandler's Philip Marlowe and the novel's plot that should outrage anyone devoted to Raymond Chandler's work and character intent. Of the movie's ending, she said: "The original ending, the one in the novel, was pretty inconclusive and didn't please any of us; so we thought we'd go for broke and see what happened." For the record, Chandler's ending is conclusive and he knew what he was doing with character, plot and ending. Brackett and Altman didn't, so read the book instead.
0 out of 0 people found this helpful.
Brilliant, but not for the Chandler purists! (See the 1-star reviews for much teeth-gnashing from the anti-Altman camp)
Added 3/15/2009

The truth is that Raymond Chandler purists who have a rigid view of his work are never going to like this brilliant little film. One has to be able to understand the artistic merit inherent in variation, parody, and reimagining. The fact that several reviewers gave this film ONE star out of five tells me one of these things are true: 1. These folks have an axe to grind and they let that get in the way of seeing this film for what it is, or 2. They sincerely have no taste. Or very, very limited taste. Oh, a third alternative just occurred to me: 3. Hollywood has ruined these people's brains, such that they can no longer appreciate a wider spectrum of pace in a film; everything needs to happen in a rapid-fire, linear fashion replete with gunfire and explosions every few minutes or they get bored because they are accustomed to having filmmakers cater to their short attention span and high tolerance for violence.

Sorry, soul cats. Try again. Or, rather, don't post vindictive and shallow reviews. Your reviews reveal more about you than they do about the movies you write about. Don't you realize this?

0 out of 1 people found this helpful.
A poor translation of an interesting book
Added 7/13/2008

There's no doubt that Raymond Chandler is a wonderful writer. But this film version of The Long Goodbye does not do the book any justice. It throws out the 1930's historical context and sets the book in the 1960's. This does not work. Elliot Gould is totally miscast as Philip Marlowe, Chandler's famous private eye. Gould lacks the toughness and wit of Chandler's Marlowe as well as the mannerisms and philosophy. Not surprising, The Long Goodbye is a complete flop. Don't waste your time and money on this film even if you love Chandler, Marlowe and film noir. Thomas Lee.
5 out of 9 people found this helpful.
not bad, not bad at all, its worth watching,
Added 7/7/2008

HELLO, THIS IS QUIET A GOOD MOVIE FROM 1973, ITS WORTH WATCHING, REMEMBER ALL THE GREAT , GREAT MOVIES, WERE MADE IN THE 1970, TIES THANKS AGAIN TAKE CARE.
0 out of 0 people found this helpful.
Amazing Film, Decent DVD
Added 5/28/2008

Another bare bones classic Altman film. This is a unique look at LA in the 70s, sort of like an ironic Chinatown doused in cocaine rather than alcohol.
0 out of 0 people found this helpful.
Leigh Brackett Blew It
Added 11/19/2009

Leigh Brackett also co-wrote the screenplay for the Howard Hawks "Big Sleep" movie, wherein Philip Marlowe repeatedly shot an unarmed Eddie Mars - a departure from the book and out of character for Marlowe. She completed her "Long Goodbye" script five years before her agonizing death, and G. Goodman's review is spot on in every way! Brackett's story and Altman's movie desecrate both the character of Chandler's Philip Marlowe and the novel's plot that should outrage anyone devoted to Raymond Chandler's work and character intent. Of the movie's ending, she said: "The original ending, the one in the novel, was pretty inconclusive and didn't please any of us; so we thought we'd go for broke and see what happened." For the record, Chandler's ending is conclusive and he knew what he was doing with character, plot and ending. Brackett and Altman didn't, so read the book instead.
0 out of 0 people found this helpful.
Brilliant, but not for the Chandler purists! (See the 1-star reviews for much teeth-gnashing from the anti-Altman camp)
Added 3/15/2009

The truth is that Raymond Chandler purists who have a rigid view of his work are never going to like this brilliant little film. One has to be able to understand the artistic merit inherent in variation, parody, and reimagining. The fact that several reviewers gave this film ONE star out of five tells me one of these things are true: 1. These folks have an axe to grind and they let that get in the way of seeing this film for what it is, or 2. They sincerely have no taste. Or very, very limited taste. Oh, a third alternative just occurred to me: 3. Hollywood has ruined these people's brains, such that they can no longer appreciate a wider spectrum of pace in a film; everything needs to happen in a rapid-fire, linear fashion replete with gunfire and explosions every few minutes or they get bored because they are accustomed to having filmmakers cater to their short attention span and high tolerance for violence.

Sorry, soul cats. Try again. Or, rather, don't post vindictive and shallow reviews. Your reviews reveal more about you than they do about the movies you write about. Don't you realize this?

0 out of 1 people found this helpful.
A poor translation of an interesting book
Added 7/13/2008

There's no doubt that Raymond Chandler is a wonderful writer. But this film version of The Long Goodbye does not do the book any justice. It throws out the 1930's historical context and sets the book in the 1960's. This does not work. Elliot Gould is totally miscast as Philip Marlowe, Chandler's famous private eye. Gould lacks the toughness and wit of Chandler's Marlowe as well as the mannerisms and philosophy. Not surprising, The Long Goodbye is a complete flop. Don't waste your time and money on this film even if you love Chandler, Marlowe and film noir. Thomas Lee.
5 out of 9 people found this helpful.
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