Masterpiece
Added 2/17/2010
I waited to write my review for this movie because it is a complex story full of heavy topics and 3-dimensional characters. I thought it best to write my review similar to how Ive been thinking about the movie since seeing it a few days ago, choosing to write it as a stream of consciousness.
What is funny? What is comedy? What is satire? What is solidarity and Is it really possible for the black race to achieve this anymore? Was t.v.'s "the Jefferson's" derogatory to the black race? Were shows such as "In living color" a modern minstrel show? Why does no other race in America have as nearly as many issues with interracial and intra-racial image perception? What kind of meaning will the "N" word have in 10, 20, 30 years from now? Is this not greatest film dealing with race ever made? Would the public tolerate a minstrel show, if they were African American performers, today? Why not? Can white America ever atone for it institution of slavery? Will they even try? Can African Americans ever fully recover and be whole despite the psychological damage that slavery has caused, in this country?
In short, this is one of those very few movies I wish I would have written.
0 out of 0 people found this helpful.
|
Entertaining, thought provoking, controversial All In One - Amazing
Added 8/21/2009
Spike Lee is a genius, and this work provides direct evidence. The cast gives outstanding performances, the musical score is right on key, the editing is exceptional. There is so much substance in this film that it is necessary to watch it multiple times and discuss its content with friends and family. This film is a grand contribution to progressing the dialogue and modern social consciousness about race, creative freedom, and media culture in America.
0 out of 0 people found this helpful.
|
Wretched piece of work, Lee's worst film, and one of the worst films I've ever seen...
Added 2/6/2009
I saw this film in the theater when it came out, and sat in disgust and bewilderment at it. Recently, IFC showed it, and all those bad feelings came back. This is an awful film, possibly Spike Lee's worst "joint" (a stupid gimmick that he really should drop at this point), a real insult to people of ALL races. It's a ponderous, self important, heavy handed "satire" about corporate America, America itself, television, and the glorification of black stereotypes. It has awful performances, especially by Damon Wayans (who is a great comedic actor), who talks with an overblown, obvious fake accent. He's the TV network programmer who comes up with the idea of a modern day minstrel show for a programme. Michael Rappaport, another good actor, plays his boss, a clueless, cliched "ignorant white person who runs the corporation" here. In fact, most actors in this film are playing "types", not actual characters. The whole concept that the current day public would accept, a black TV programmer would propose, and a white executive would accept a minstrel show as a hit is preposterous. It's also deeply insulting to people of intelligence everywhere. Spike somehow thinks we're still in the days of D.W. Griffith, and blacks are being portrayed as ignorant and lazy, and all they want are watermelon and white women. This is so false. Now, one will argue that it's a satiric film, but it is not satiric. It is ugly, offensive to white and blacks, it is not funny, it's preachy. And the film itself looks awful. For some reason, Spike shot this on digital video, and it looks crummy, dark, and cheap. This is a really bad film from a filmmaker who has shown brilliance, but who also goes for cheap publicity (his recent dustup with Clint Eastwood is a great example of massive overreach), and makes some really misguided films. Bamboozled is an awful work, one of the worst films I've ever seen.
3 out of 5 people found this helpful.
|
Bamboozled
Added 1/12/2009
I ordered this one for a relative of mine who is a big Spike Lee fan. I kinda liked the film. but it could be somewhat offensive (imagine that)! As always I received the dvd well within the date of it's projected arrival. Amazon rocks for Christmas! I've done all my shopping with them this past holiday season and I have yet to be dissappointed.
0 out of 0 people found this helpful.
|
Painful, Powerful. A Spike Lee Classic.
Added 5/17/2008
Angry, uneven, brilliant. . . This is not destined to be remembered as a great motion picture, but it sure is powerful. How do you even write about it? Spike Lee shoves everyone around, overturns tables, and leaves you to think about it all.
Pierre Delacroix (Damon Wayans) is a "negro" TV writer who is black enough to be upset about lack of representation of people of color in his business, but "white" enought to not understand fully the ramifications of what he does. His boss, Mr. Dunwitty (Michael Rappaport) is a white guy who thinks he's tuned into the black experience. Pierre decides, in protest, to revive an old time blackface minstrel show for modern television thinking that by sabatoging the TV programming he'll prove a point. The station goes for the idea. Pierre's conscience, personified by assistant Sloan Hopkins (Jada Pinkett Smith), protests.
And the public - enough of them at least - love the show.
What follows is a protracted (too long in my opinion), painful examination of historical racial stereotypes made modern. Savion Glover (the little kid from "Tap") and Tommy Davidson were so wonderful and sad as the minstrel show's blackfaced principals, "Mantan" and "Sleep 'n Eat." The first time the duo apply their blackface, it's revulsion toward the show itself. The second time, it's themselves they hate. Tommy's painful "it's showtime!" in the mirror to himself is a suffering for the sins of all people who would participate in such a spectacle.
For me, less would have been more with this film. Spike Lee disagrees and takes this show to the point that - in my opinion - the message gets muddied by excesses and moral high ground suffers in angry paroxysms, but it's his film and his anger.
But Lee is vindicated in the theme of the show and the general message that all of us can share in the racial difficulties in which we find ourselves and many of us are sheep.
0 out of 0 people found this helpful.
|
Masterpiece
Added 2/17/2010
I waited to write my review for this movie because it is a complex story full of heavy topics and 3-dimensional characters. I thought it best to write my review similar to how Ive been thinking about the movie since seeing it a few days ago, choosing to write it as a stream of consciousness.
What is funny? What is comedy? What is satire? What is solidarity and Is it really possible for the black race to achieve this anymore? Was t.v.'s "the Jefferson's" derogatory to the black race? Were shows such as "In living color" a modern minstrel show? Why does no other race in America have as nearly as many issues with interracial and intra-racial image perception? What kind of meaning will the "N" word have in 10, 20, 30 years from now? Is this not greatest film dealing with race ever made? Would the public tolerate a minstrel show, if they were African American performers, today? Why not? Can white America ever atone for it institution of slavery? Will they even try? Can African Americans ever fully recover and be whole despite the psychological damage that slavery has caused, in this country?
In short, this is one of those very few movies I wish I would have written.
0 out of 0 people found this helpful.
|
Entertaining, thought provoking, controversial All In One - Amazing
Added 8/21/2009
Spike Lee is a genius, and this work provides direct evidence. The cast gives outstanding performances, the musical score is right on key, the editing is exceptional. There is so much substance in this film that it is necessary to watch it multiple times and discuss its content with friends and family. This film is a grand contribution to progressing the dialogue and modern social consciousness about race, creative freedom, and media culture in America.
0 out of 0 people found this helpful.
|
Wretched piece of work, Lee's worst film, and one of the worst films I've ever seen...
Added 2/6/2009
I saw this film in the theater when it came out, and sat in disgust and bewilderment at it. Recently, IFC showed it, and all those bad feelings came back. This is an awful film, possibly Spike Lee's worst "joint" (a stupid gimmick that he really should drop at this point), a real insult to people of ALL races. It's a ponderous, self important, heavy handed "satire" about corporate America, America itself, television, and the glorification of black stereotypes. It has awful performances, especially by Damon Wayans (who is a great comedic actor), who talks with an overblown, obvious fake accent. He's the TV network programmer who comes up with the idea of a modern day minstrel show for a programme. Michael Rappaport, another good actor, plays his boss, a clueless, cliched "ignorant white person who runs the corporation" here. In fact, most actors in this film are playing "types", not actual characters. The whole concept that the current day public would accept, a black TV programmer would propose, and a white executive would accept a minstrel show as a hit is preposterous. It's also deeply insulting to people of intelligence everywhere. Spike somehow thinks we're still in the days of D.W. Griffith, and blacks are being portrayed as ignorant and lazy, and all they want are watermelon and white women. This is so false. Now, one will argue that it's a satiric film, but it is not satiric. It is ugly, offensive to white and blacks, it is not funny, it's preachy. And the film itself looks awful. For some reason, Spike shot this on digital video, and it looks crummy, dark, and cheap. This is a really bad film from a filmmaker who has shown brilliance, but who also goes for cheap publicity (his recent dustup with Clint Eastwood is a great example of massive overreach), and makes some really misguided films. Bamboozled is an awful work, one of the worst films I've ever seen.
3 out of 5 people found this helpful.
|
