Of Andy Warhol (?) New York Tale
Added 2/6/2010
An American story of aiming a popularity (and money) by any means possible as lone feminist came to New York, employed by Andy Warhol and taken "revenge" over a boss having her works seemingly "stolen".
Nice performing, also Andy Warhol looked a bit different than screened usually.
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A good watch
Added 6/29/2009
If you are a Warhol fan, this is a must see. Very informative and entertaining.
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A Revealing Blast from the Past
Added 3/15/2009
This movie provides a remarkable snapshot of the hanging-loose, hanging-out times of the late 60's. It's particularly good at showing the arty crowd that orbited Andy Warhol, that formed his circle, his salon of admirers.
You might come away from this film a little disillusioned about Warhol and a little suspicious of his talent. When he's shown here, he seems to be dabbling, daubing - rather than creating any really expressive works of art. His main talent seems to be making himself available to young artistic aspirants. He's one of the few icons of pop culture who is approachable and willing to personally encourage young, unconventional stylists. You can see this aspect of Warhol clearly shown elsewhere in the movie "Basquiat." But here we see it's Warhol's sheer availability, his willingness to be got at - that leads to his tragedy.
His mentoring sometimes turns out to be just another facet of his dabbling. He takes an interest for a while, promises sponsorship - then dismisses people from his orbit when they begin to bore him. This is what happened to Valerie Solanas, a gamine intent on publishing and getting wide circulation for her radical man-bashing polemic "Scum Manifesto." Her quirky rage and irreverence amuses Warhol for a while. But then when he drifts on to other amusements, her craziness is compounded with rage directed at him. She turns dangerous. Lili Taylor does a superb job projecting this generally rejected, rejecting figure, slouching towards mayhem.
However, this isn't a movie about stalking. It isn't a thriller. It's an authentic recasting of those anti-establishment days when people crashed in pads - then simply crashed. It's an informal, let-it-all-hang-out dramatization of the times leading up to the assault that changed Andy Warhol's life.
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You're just being paranoid ...
Added 8/3/2007
Andy Warhol once said that in the future everyone will be famous for 15 minutes. How ironic (or is it?) that not even he was immune from someone looking for their 15 minutes at his expense. It nearly cost him his life, but we got to see the true story of the woman behind the myth when it came to Andy Warhol's career.
Valerie Solarnis was angry at the world, to say the least. She was a lesbian hooker in New York who was looking to publish her SCUM manifesto (the Society for Cutting Up Men). Indeed she had even presented it as her final thesis in college, why men are biologically inferrior to women. Eventually, she joins forces with a few of the trendy people, and gains access to The Factory. Here she meets Andy and the rest of his Warhol Superstars, a bunch of creative, eccentric people who are both innovative and pretentious. Heady with the promise of being with the In Crowd, Valerie even appears in one of Andy's Movies "I A Man", she anxiously hopes that he will publish her work. Andy, not really caring for it, yet just as vain as the next celebrity, puts her down. As she is descending into paranoia and obsessing on her own causes, Valerie walks into the Factory one day, pulls out a gun, and shoots Andy. She then walks out onto the street, hands to gun over to a policeman who just happened to be there on his beat, and said "I shot Andy Warhol".
What is this all about really? Mental health? Making a statement to others? Showing us that she was right and the whole rest of the world is wrong? No, it's about fame. She got her 15 minutes of fame. Then she was committed to a mental hospital and died there. End of story. She wasn't really trying to get her point across, she was just another nutcase who targeted a celebrity to make herself famous. Is that all it is? Yeah, that's all it is!
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A Bizarre Film about Bizarre People
Added 2/18/2007
The 1996 film "I Shot Andy Warhol" is a bizarre film based upon the true story of a bizarre woman named Valerie Solanas (Lili Taylor) who, in the late 1960's in Manhattan, became an acquaintance of the famous pop artist Andy Warhol (Jared Harris). Obsessed with misandry and blaming men for all of the world's problems, Valerie wrote a booklet advocating an anarchistic and violent revolution to be carried out by women in order to create a female-only society. Valerie used the booklet, which she named the "SCUM Manifesto" (where SCUM referred to "Society for Cutting Up Men"), as a way to try and make money, often by attempting to sell copies (that she had typed & copied herself) on the streets of New York City, and at parties given by Andy Warhol at his famous art studio known as "The Factory" to which Andy had invited her. (During the film, Valerie is often shown quoting directly from the "SCUM Manifesto".) Valerie also wrote a play equally hateful of men that she asked Andy Warhol to produce, but his apparent lack of interest and misplacement of her only copy that she had lent him to read angered the already highly irrational Valerie. This encouraged Andy to ignore Valerie and set the stage for the film's final scenes.
Though often times difficult to watch with the scenes involving drug use and the various odd people that were part of Andy Warhol's life in New York City, it is the quality of the acting performances given principally by Lili Taylor, Jared Harris and Stephen Dorff (who played the drag queen known as Candy Darling, the only man that Valerie appeared to trust) that made "I Shot Andy Warhol" worth watching. For her efforts, Lili Taylor won a special recognition award for her performance in "I Shot Andy Warhol" at the 1996 Sundance Film Festival. The film, though low-budget, had very high production values and cinematography. Hence, my overall rating for "I Shot Andy Warhol" is 4 out of 5 stars.
2 out of 2 people found this helpful.
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Of Andy Warhol (?) New York Tale
Added 2/6/2010
An American story of aiming a popularity (and money) by any means possible as lone feminist came to New York, employed by Andy Warhol and taken "revenge" over a boss having her works seemingly "stolen".
Nice performing, also Andy Warhol looked a bit different than screened usually.
0 out of 0 people found this helpful.
|
A good watch
Added 6/29/2009
If you are a Warhol fan, this is a must see. Very informative and entertaining.
0 out of 0 people found this helpful.
|
A Revealing Blast from the Past
Added 3/15/2009
This movie provides a remarkable snapshot of the hanging-loose, hanging-out times of the late 60's. It's particularly good at showing the arty crowd that orbited Andy Warhol, that formed his circle, his salon of admirers.
You might come away from this film a little disillusioned about Warhol and a little suspicious of his talent. When he's shown here, he seems to be dabbling, daubing - rather than creating any really expressive works of art. His main talent seems to be making himself available to young artistic aspirants. He's one of the few icons of pop culture who is approachable and willing to personally encourage young, unconventional stylists. You can see this aspect of Warhol clearly shown elsewhere in the movie "Basquiat." But here we see it's Warhol's sheer availability, his willingness to be got at - that leads to his tragedy.
His mentoring sometimes turns out to be just another facet of his dabbling. He takes an interest for a while, promises sponsorship - then dismisses people from his orbit when they begin to bore him. This is what happened to Valerie Solanas, a gamine intent on publishing and getting wide circulation for her radical man-bashing polemic "Scum Manifesto." Her quirky rage and irreverence amuses Warhol for a while. But then when he drifts on to other amusements, her craziness is compounded with rage directed at him. She turns dangerous. Lili Taylor does a superb job projecting this generally rejected, rejecting figure, slouching towards mayhem.
However, this isn't a movie about stalking. It isn't a thriller. It's an authentic recasting of those anti-establishment days when people crashed in pads - then simply crashed. It's an informal, let-it-all-hang-out dramatization of the times leading up to the assault that changed Andy Warhol's life.
0 out of 0 people found this helpful.
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