A Good Day To Die Hard Trailer (2013)

Cast: Bruce Willis, Cole Hauser, Sebastian Koch, Amaury Nolasco, Aksel Hennie, Jai Courtney

Description: Bruce Willis returns in his most iconic role as John McClane - the "real" hero with the skills and attitude to always be the last man standing. This time the take-no-prisoners cop is really in the wrong place at the wrong time after traveling to Moscow to help his estranged son Jack. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.

Release Date: 2/14/2013

Genre: Action-Adventure

Studio: 20th Century Fox Pictures

Offical Website: http://www.diehardmovie.com

Rating: Movie Rating

Release Dates:

Country	Release Type	Date
United States	Theatrical Wide Release	2/14/2013
United Kingdom	Theatrical Wide Release	2/14/2013
Germany	Theatrical Wide Release	2/14/2013
United States	DVD/Blu-ray Release	6/4/2013
Spain	Theatrical Wide Release	2/15/2013

Photos and Posters (6)

All Photos and Posters

Watch, Buy, Rent Now

Latest Activity More activity

» New review added from Rotten Tomatoes.

02/18 @ 12:00 AM

What a disappointment.

Richard Roeper, Richard Roeper.com

» New review added from Rotten Tomatoes.

02/15 @ 12:00 AM

I didn't think it was physically possible to doze off at a movie as loud as A Good Day to Die Hard, but for a few moments my mind found some distant, peaceful refuge.

David Edelstein, New York Magazine

» New reviews added from Rotten Tomatoes.

02/14 @ 12:00 AM

For anyone who remembers the Die Hard adventures at their vital and exciting best, this film feels like a near-death experience.

Joe Morgenstern, Wall Street Journal

Few fans of the series would disagree that this sclerotic fifth installment should probably be the last.

Dana Stevens, Slate

This is the Magpie School of action filmmaking: Anytime things start to make so little sense that you might lose the audience, just throw something shiny up on screen to distract.

Ian Buckwalter, NPR

John's appeal was always his ordinariness, but director John Moore has him surviving more explosions than Wile E. Coyote, and with hardly a scratch.

Peter Rainer, Christian Science Monitor

An explosive, high-capacity-clip letdown.

Lisa Kennedy, Denver Post

I guess the people making A Good Day to Die Hard don't understand that mortality is one of John McClane's most endearing qualities. Turning him into a cyborg with a sense of self-deprecating humor makes this a low point in the series' history.

James Berardinelli, ReelViews

All Die Hard movies lack sense -- that's a given. This one lacks personality. And that's unforgivable.

Tom Long, Detroit News

Unnecessary but not unwatchable, this maintains a brisk pace as it moves through the familiar action set pieces, most of them decently orchestrated.

Ben Sachs, Chicago Reader

If there's something crassly opportunistic about exploiting a real life disaster on the scale of Chernobyl for cheap thrills, that's part and parcel of the film's cynicism.

Tom Charity, CNN.com

Every action scene is telegraphed, and most of the dialogue is irrevocably stupid.

Laremy Legel, Film.com

This series needs to die here. That would be something to Yippee Ki-Yay about.

Peter Travers, Rolling Stone

Pretty much three well-staged action sequences strung together with the dumbest imaginable connective tissue.

Andrew O'Hehir, Salon.com

A quarter-century after it began, A Good Day to Die Hard continues the franchise without undue embarrassment.

Rick Groen, Globe and Mail

A movie like A Good Day to Die Hard ought to either hire someone who can write catchy dialogue and at least superficially plausible characters or just let the real artists, the stuntmen, run the whole picture. No Humans Allowed.

Richard Corliss, TIME Magazine

This is the first Die Hard movie to run well under two hours (the incomprehensible final 30 minutes have been so furiously chopped, they deserve their own show on the Food Network).

Rene Rodriguez, Miami Herald

It took 25 years, but with the fifth and latest entry, A Good Day to Die Hard, the series has finally devolved into joyless sludge.

Ty Burr, Boston Globe

At this point, Die Hard no longer describes the franchise. It describes the fans who are still willing to turn out for the noise and nonsense.

Stephen Whitty, Newark Star-Ledger

Willis and Courtney make a strong match, believable both as fractious family members and also as sarcastic adversaries forced by circumstances to work together.

Peter Howell, Toronto Star

Both assaultive and tiresome, A Good Day to Die Hard barely registers on the action movie Richter scale. It goes bang, it goes boom, and then it blessedly goes away.

Ann Hornaday, Washington Post

A Good Day to Die Hard wants to be a movie about family values - a father and son, bonding over bullets and bombs - but it's really just about the value of a box-office franchise, and its value is on the wane.

Steven Rea, Philadelphia Inquirer

It's all more than a little silly, but Willis' presence at least provides undercurrents of easy jocularity.

Chris Vognar, Dallas Morning News

» New reviews added from Rotten Tomatoes.

02/13 @ 12:00 AM

verything that made the first Die Hard memorable -- the nuances of character, the political subtext, the cowboy wit -- has been dumbed down or scrubbed away entirely.

A.O. Scott, New York Times

Loud and tedious, Die Hard 5 is a shaky-cam/Sensurround blast of bullets and bombs, digital explosions and death defying feats of defying death.

Roger Moore, McClatchy-Tribune News Service

Mr. Willis has said in interviews that he's open to a sixth Die Hard film. Next time, Bruce, please read the script.

Lou Lumenick, New York Post

While some of the sequels have been entertaining enough, A Good Day to Die Hard signals that it may be a better day for John McClane to retire.

Bill Goodykoontz, Arizona Republic

This leaden flick is completely joyless.

Joe Neumaier, New York Daily News

It's A Good Day to Die Hard, aka We've Got No Story To Speak Of But We Do Have an Infinite Special Effects Budget and We're Not Afraid To Spend It.

Soren Anderson, Seattle Times

Willis may not be the film's saving grace, but he is some kind of grace nonetheless, really the only thing in the movie.

Mick LaSalle, San Francisco Chronicle

Frenetically directed by John Moore from a sketchy script by Skip Woods, A Good Day to Die Hard has the dubious distinction of making John McClane unlikeable. He's had some bad days in the past, but this one finally got him down.

Rafer Guzman, Newsday

A Good Day to Die Hard is pointless and joyless, a barrage of noise and chaos, an onslaught of destruction without the slightest mention of consequence.

Christy Lemire, Associated Press

If Harvard Business School wants to do a case study on how to debase a once-respected brand, they needn't look any further than the Die Hard movies.

Colin Covert, Minneapolis Star Tribune

Die Hard 5 leaves room for McClane to make a few jokes about his thinning hair and to rue that he wasn't a better father when his kids were growing up. Oh, boo-hoo. Now go kill some more scumbags.

Lisa Schwarzbaum, Entertainment Weekly

Generally speaking, the action elements aren't the problem here. They're certainly loud enough. It's the obligatory intra-family squabbling and preposterous plotting that threaten to derail this nonsensical sequel.

Peter Debruge, Variety

At 98 minutes, this is by far the shortest of the Die Hard films, the rest of which run more than two hours. But it ends not a moment too soon.

Todd McCarthy, Hollywood Reporter

True, a lot of stuff gets blown up and stunts that must have cost the Earth appear with startling regularity, but the sense of exhilaration and fun that marked the best of the series has gone unaccountably AWOL.

Kenneth Turan, Los Angeles Times

A Good Day to Die Hard isn't just the weakest of the Die Hard pictures it's a lousy action movie on its own terms.

Michael Phillips, Chicago Tribune

Obnoxious, over the top and often dull.

Claudia Puig, USA Today

No two viewers will assemble the same narrative from this Rorschach of running men, crashing glass, and hollered exposition.

Alan Scherstuhl, Village Voice