Kill Your Friends

London, 1997 the British music industry is on a winning streak. Britpop bands Blur, Oasis, Radiohead rule the airwaves and Cool Britannia is in full swing. 27-year-old hit chasing A&R man Steven Stelfox is slashing and burning his way through the music business, a world where careers are made and broken by chance and the fickle tastes of the general public. In an industry of dream-makers, Stelfox refuses to buy into the ‘dream’ – and despises anyone that does. Fueled by greed, ambition and inhuman quantities of drugs, Stelfox searches for his next hit record amid a relentless orgy of self-gratification. Created by an industry that demands success at any price, Stelfox takes the concept of ‘killer tunes’ to a murderous new level in a desperate attempt to salvage his career. Balanced against the backdrop of the music business and its characters, Stelfox is the ultimate anti-hero: chronically sexist, racist, and everything else-ist.