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Emile Francisco de Antonio was an American director and producer of documentary films, usually detailing political, social, and counterculture events circa 1960s–1980s. He has been referred to by Randolph Lewis as, "…the most important political filmmaker in the United States during the Cold War."
Birth Name
Emile Francisco de Antonio
Born
Wednesday, 14 May 1919
Died
Friday, 15 December 1989
Actor Filmography
Title | Character | Year |
---|
The Andy Warhol Diaries | Self - Art Critic | 2022 |
The Black Power Mixtape 1967-1975 | Self | 2011 |
Resident Alien | Self - Filmmaker / Filmmaker | 1990 |
Shadows in the City | Mystic | 1990 |
Mr. Hoover and I | Self | 1989 |
Candy Mountain | Lou Sultan | 1988 |
Underground | Himself / Self | 1976 |
Andy Warhol | Self | 1973 |
Painters Painting | Interviewer | 1972 |
Drunk | 1965 |
Actor Filmography
Title | Character | Year |
---|
The Andy Warhol Diaries | Self - Art Critic | 2022 |
The Black Power Mixtape 1967-1975 | Self | 2011 |
Resident Alien | Self - Filmmaker / Filmmaker | 1990 |
Shadows in the City | Mystic | 1990 |
Mr. Hoover and I | Self | 1989 |
Candy Mountain | Lou Sultan | 1988 |
Underground | Himself / Self | 1976 |
Andy Warhol | Self | 1973 |
Painters Painting | Interviewer | 1972 |
Drunk | 1965 |
Director Filmography
Title | Year |
---|
Mr. Hoover and I | 1989 |
In the King of Prussia | 1983 |
Underground | 1976 |
McCarthy: Death of a Witch Hunter | 1975 |
Painters Painting | 1972 |
Millhouse | 1971 |
America Is Hard to See | 1970 |
In the Year of the Pig | 1968 |
Rush to Judgment | 1967 |
Point of Order! | 1964 |
Producer Filmography
Title | Year |
---|
Mr. Hoover and I | 1989 |
In the King of Prussia | 1983 |
Painters Painting | 1972 |
Millhouse | 1971 |
In the Year of the Pig | 1968 |
Point of Order! | 1964 |
Sunday | 1961 |
Year | Type | Category | Won |
---|
1970 | Oscar | Best Documentary, Features | Nominated |